HollywoodChicago.com Movie Reviews

Jodie Foster, Christoph Waltz Shine in Roman Polanski’s Surprisingly Average ‘Carnage’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Roman Polanski may not seem to be the first choice for a film about culture clashes in New York City but he has notable experience with dramas with only a few characters in a few locations (“Knife in the Water,” “Cul-de-sac,” “Death and the Maiden”). He knows how to build character tension through interaction – the games people play with words.

Angelina Jolie is ‘In the Land of Blood and Honey’ in Directorial Debut

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The sorrows of war has been played out too many times in our so-called modern age. The excessively cruel Bosnian war – a three year conflict that introduced the vile term “ethnic cleansing” – is the background of Angelina Jolie’s directorial debut, “In the Land of Blood and Honey.”

Honest, Precisely Acted ‘Pariah’ is Passionate Filmmaking

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The exploration of culture, so tied to class and social standing, is not explored too often in mainstream films. In 2009, there was “Precious,” and this year the stand out is “Pariah.” Writer/director Dee Rees formulates a passionate story about a racial/social/orientation fish out of water.

‘Angels Crest’ Takes Lead-Footed Trip Down Misery Lane

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Six years after her sentimental debut feature, “On a Clear Day,” filmmaker Gaby Dellal has gotten mired in the wintry sludge of her sophomore effort, “Angels Crest.” This is the sort of film that doesn’t stand a chance of being embraced by many viewers, particularly during an awards season crowded with gems. There’s little to recommend here beyond the icily beautiful cinematography and a few strong performances.

Steven Spielberg Casts a Golden Light Upon ‘War Horse’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Opening on Christmas Day is a film about a boy, his horse and war, brought to the screen by America’s most popular living director. “War Horse” is the most critic proof film ever realized. Kidding. This equine epic is Steven Spielberg’s latest, taking advantage of precise filmmaking, emotion and cinematography to deliver a decent holiday package.

Matt Damon Closes Deal in ‘We Bought a Zoo’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Cameron Crowe’s “We Bought a Zoo” is an undeniably manipulative crowd-pleaser but there’s something about being manipulated in such an expert manner that makes the tugging on the heartstrings easier to take. We know what we’re in for when we buy a ticket for a movie about children grieving the loss of their mother, endangered animals, and the healing process through talking to tigers. Most movie goers are smart enough not to expect a deep dose of subtlety.

Steven Spielberg’s Disappointing ‘The Adventures of Tintin’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Being a huge Steven Spielberg fan and a pretty big aficionado of Peter Jackson (who produced) as well, I was pretty psyched to see what these two undeniable geniuses could do in the world of motion-capture animation with their collaboration on the adaptation of the hit Herge cartoon “The Adventures of Tintin.” That’s why it hurts me to say that, excepting a few stand-out action scenes, this is a shockingly dull affair, something that lulled me to sleep far more often than it inspired my imagination to life.

‘The Artist’ is Magical Ode to Old Hollywood

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture. And yet, I also know for a fact that a vast majority of those same readers would LOVE “The Artist.” This is a stellar piece of filmmaking, one of the best of the year. Jump on the bandwagon early for what will surely be one of the major players of the upcoming awards season.

Robert Downey Jr. Personifies ‘Sherlock Holmes: A Game of Shadows’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The production team of “Sherlock Holmes: A Game of Shadows” – designers, crew, writers, director and actors – should be proud of the level of respect they have given and embodied in delivering an updated Sherlock Holmes, Dr. Watson, Professor Moriarty and the like. They take liberties, of course, but they also make sure that the truth of the characters are always intact.

David Cronenberg’s ‘A Dangerous Method’ Needed More Risk

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are glimpses of actual danger in David Cronenberg’s divisive “A Dangerous Method” with Michael Fassbender, Viggo Mortensen, and Keira Knightley, and the film has a lingering power as it’s easy to roll around your brain and contemplate its themes, but I wanted a bit more actual risk to the filmmaking. Easily the masterful director’s most straightforward work in some time (possibly ever), this is a worthwhile piece that nonetheless disappoints in the context of the rest of his filmography.

Stoic Gary Oldman Uncovers ‘Tinker, Tailor, Soldier, Spy’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Espionage sure isn’t like it used to be. The new film “Tinker, Tailor, Soldier, Spy” is set during the Cold War period of the early 1970s, when lines were drawn by their proximity in front of and behind the Iron Curtain. Gary Oldman plays an old British spook in this thriller adapted from the famous John le Carré novel.

‘Mission: Impossible: Ghost Protocol’ Rocks Your Holiday

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Brad Bird proves that he can make the leap from Pixar to action with one of the best genre films of the year, the adrenalized “Mission: Impossible – Ghost Protocol.” Proving there is a way to make a big budget franchise installment that feels vibrant, alive, and like more than just a pathetic retread of what has come before (unlike this year’s “Pirates of the Caribbean” and “Sherlock Holmes” entries), “Ghost Protocol” delivers with breakneck pace and stellar action choreography. This movie wastes little time – it’s a lean, mean, action machine.

David Fincher’s Stunning ‘The Girl with the Dragon Tattoo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

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  • Manhunt

    CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.

  • Topdog/Underdog, Invictus Theatre

    CHICAGO – When two brothers confront the sins of each other and it expands into a psychology of an entire race, it’s at a stage play found in Chicago’s Invictus Theatre Company production of “Topdog/Underdog,” now at their new home at the Windy City Playhouse through March 31st, 2024. Click TD/UD for tickets/info.

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