CHICAGO – Fact or fiction is a current debate in news programming, especially as people naturally digest “the news” that makes them comfortable. A new five-episode web series created by filmmaker Ashton Swinford, “Miss Information,” is a satire-oriented show that seeks to entertain and educate viewers on the bias, fake news and bot infiltration that litters social media.
HollywoodChicago.com Theater Reviews & Interviews
Chicago’s ‘Relatively Close’ is Concrete Proof That Death is Easy, Comedy is Hard
Submitted by HollywoodChicago.com on June 17, 2008 - 11:30pm Rating: 2.0/5.0 |
CHICAGO – Forget the Year of the Rat. This is the year of the dysfunctional family reunion.
With Tracy Letts’ Pulitzer Prize-winning drama “August: Osage County,” the Broadway remounting of “Cat on a Hot Tin Roof” and the Tony-sweeping revival of “Gypsy,” 2008 has been saturated with some of the finest performances of relational drama that theatre has seen in years.
Raven Theatre’s ‘Laughter on the 23rd Floor’ Serves Justice to Neil Simon Masterpiece
Submitted by HollywoodChicago.com on June 10, 2008 - 10:58pm Rating: 3.5/5.0 |
CHICAGO – Part slapstick and part Henny Youngman-style one-liner schtick, “Laughter on the 23rd Floor” is a classic American comedy that still rings funny no matter how many times you’ve seen it.
New Millennium Theatre’s ‘Villains’ Scores Originality With Anti-Hero Plotline
Submitted by HollywoodChicago.com on June 4, 2008 - 3:23am Rating: 3.0/5.0 |
CHICAGO – In an unrevealed abandoned warehouse in the seedy underbelly of Chicago’s north side that is the Uptown neighborhood, a group of super villains met last Saturday night to plot and scheme their next attack against law-abiding society.
‘Avenue Q’ Bases Musical Self on ‘Cheap Laugh is Better Than No Laugh’ Adage
Submitted by HollywoodChicago.com on May 27, 2008 - 1:40am Rating: 2.5/5.0 |
CHICAGO – In the tradition of recent Broadway productions where touristy and crowd-pleasing scenery reigns over any type of theater substance, along comes the 2004 Tony Award-winning best musical “Avenue Q,” which is now in a touring version at the Cadillac Palace Theatre in Chicago.
‘The Mark of Zorro’ Nails Swordsman, Markedly Complicates Cast, Botches Dialect
Submitted by HollywoodChicago.com on May 15, 2008 - 1:33amRating: 2.5/5.0 |
CHICAGO – Sometimes less, of course, is more. Live theater often knows that better than anyone. That’s exactly the shrill reminder Chicago’s Lifeline Theatre needed in Katie McLean’s adaptation of the beloved Zorro book by Johnston McCulley.
Chicago’s ‘Shout! The Mod Musical’ an Infectiously Groovilicious, Estrogen-Only Stew
Submitted by HollywoodChicago.com on May 11, 2008 - 11:17pmCHICAGO – Meg Ryan, eat your heart out. Since “When Harry Met Sally,” the salacious Danielle Plisz as Green Girl in “Shout! The Mod Musical” takes Ryan’s infamous restaurant eruption to a whole new level on stage.
Chicago’s Political Machine Runs Relatively Swimmingly in Strawdog Theatre’s ‘Old Town’
Submitted by HollywoodChicago.com on May 1, 2008 - 8:52amCHICAGO – As a testament to its set design, it wasn’t immediately clear if certain structures were naturally part of the Strawdog Theatre space or if they were fabricated specifically for the “Old Town” production.
Pie Maker, Loony Boy Steal Rightful Spotlight From Sweeney Todd in Chicago Musical
Submitted by HollywoodChicago.com on April 25, 2008 - 4:17pmCHICAGO – While Johnny Depp’s portrayal of the demon barber of Fleet Street in the 2007 film iteration sells you on his fiendish ways, actor and singer David Hess in the musical bobbles more in purgatory rather than living hysterically in hell.
Neil LaBute’s ‘In a Dark Dark House’ Unearths Long-Buried Skeletons in Three-Person Play
Submitted by HollywoodChicago.com on April 2, 2008 - 11:25pmCHICAGO – It’s not in calm seas but within torrential rains when we lay bare our true colors. Lauded playwright Neil LaBute was fixated on testing these human limits and exploring our different styles of conflict resolution when he minted the three-person play “In a Dark Dark House”.
Chicago’s ‘Brontë’ Masterfully Resurrects Three of Planet’s Most Examined Scribes of All Time
Submitted by HollywoodChicago.com on March 28, 2008 - 4:13amCHICAGO – Three of the planet’s most examined scribes of all time – a trio of Victorian spinsters, in fact, who are credited with some of the most passionate literature ever written – are resurrected in the meticulous Chicago production of “Brontë” from illustrious playwright Polly Teale.
Top Chicago Theater Picks For March 27, 2008: ‘Driving Miss Daisy,’ ‘Dead Man’s Cell Phone,’ ‘Bronte’
Submitted by HollywoodChicago.com on March 26, 2008 - 11:56pmCHICAGO – Free or half-price Chicago theater and comedy tickets. No catch. Just click the link, take just a moment to make a free Goldstar account (or log into your existing Goldstar account) and you’re on your way.
‘Ceres’ a High-Octane Probe Into Chicago’s Slippery Investment Banker Slope
Submitted by HollywoodChicago.com on March 25, 2008 - 2:35amCHICAGO – Tucked surreptitiously at the way-way-way-off-Loop location of the Prop Thtr – Chicago’s oldest-surviving non-equity theater in the area – the signature that is “Ceres” is its high-octane energy. The cast act in harmony much in the same way as the “X-Men” character Juggernaut: once their momentum is synthesized, it can’t be stopped.
