CHICAGO – One the brightest comedies set in Chicago is “South Side,” created by Bashir Salahuddin and Diallo Riddle. The pair moved the show from Comedy Central to HBO Max, and Season Two dropped for streaming on November 11th, 2021, with the same free-wheeling and hilarious misadventures of Simon and Kareme.
HollywoodChicago.com Theater Reviews & Interviews
Chicago’s Goodman Theatre Sings Lively New Tune With Fats Waller’s ‘Ain’t Misbehavin’’
Submitted by HollywoodChicago.com on July 6, 2008 - 7:39pm Rating: 4.0/5.0 |
CHICAGO – If you were to visit Harlem in the 1920s, you might have found yourself in a nightclub exploding with hot keys, cold booze and swingin’ dances about as far from the stylings of “So You Think You Can Dance” as possible.
‘Superior Donuts’ From Pulitzer Prize-Winning Playwright Tracy Letts a Chicago Dish, Albeit a Stale One
Submitted by HollywoodChicago.com on July 1, 2008 - 12:06am Rating: 3.0/5.0 |
CHICAGO – I wouldn’t have wanted to be Tracy Letts on Saturday afternoon. After winning both the Pulitzer Prize and the Tony Award for his opus “August: Osage County,” he had to have been feeling the tremendous pressure being placed on his newest work and first comedy “Superior Donuts”.
Chicago’s ‘Relatively Close’ is Concrete Proof That Death is Easy, Comedy is Hard
Submitted by HollywoodChicago.com on June 17, 2008 - 10:30pm Rating: 2.0/5.0 |
CHICAGO – Forget the Year of the Rat. This is the year of the dysfunctional family reunion.
With Tracy Letts’ Pulitzer Prize-winning drama “August: Osage County,” the Broadway remounting of “Cat on a Hot Tin Roof” and the Tony-sweeping revival of “Gypsy,” 2008 has been saturated with some of the finest performances of relational drama that theatre has seen in years.
Raven Theatre’s ‘Laughter on the 23rd Floor’ Serves Justice to Neil Simon Masterpiece
Submitted by HollywoodChicago.com on June 10, 2008 - 9:58pm Rating: 3.5/5.0 |
CHICAGO – Part slapstick and part Henny Youngman-style one-liner schtick, “Laughter on the 23rd Floor” is a classic American comedy that still rings funny no matter how many times you’ve seen it.
New Millennium Theatre’s ‘Villains’ Scores Originality With Anti-Hero Plotline
Submitted by HollywoodChicago.com on June 4, 2008 - 2:23amRating: 3.0/5.0 |
CHICAGO – In an unrevealed abandoned warehouse in the seedy underbelly of Chicago’s north side that is the Uptown neighborhood, a group of super villains met last Saturday night to plot and scheme their next attack against law-abiding society.
‘Avenue Q’ Bases Musical Self on ‘Cheap Laugh is Better Than No Laugh’ Adage
Submitted by HollywoodChicago.com on May 27, 2008 - 12:40am Rating: 2.5/5.0 |
CHICAGO – In the tradition of recent Broadway productions where touristy and crowd-pleasing scenery reigns over any type of theater substance, along comes the 2004 Tony Award-winning best musical “Avenue Q,” which is now in a touring version at the Cadillac Palace Theatre in Chicago.
‘The Mark of Zorro’ Nails Swordsman, Markedly Complicates Cast, Botches Dialect
Submitted by HollywoodChicago.com on May 15, 2008 - 12:33amRating: 2.5/5.0 |
CHICAGO – Sometimes less, of course, is more. Live theater often knows that better than anyone. That’s exactly the shrill reminder Chicago’s Lifeline Theatre needed in Katie McLean’s adaptation of the beloved Zorro book by Johnston McCulley.
Chicago’s ‘Shout! The Mod Musical’ an Infectiously Groovilicious, Estrogen-Only Stew
Submitted by HollywoodChicago.com on May 11, 2008 - 10:17pmCHICAGO – Meg Ryan, eat your heart out. Since “When Harry Met Sally,” the salacious Danielle Plisz as Green Girl in “Shout! The Mod Musical” takes Ryan’s infamous restaurant eruption to a whole new level on stage.
Chicago’s Political Machine Runs Relatively Swimmingly in Strawdog Theatre’s ‘Old Town’
Submitted by HollywoodChicago.com on May 1, 2008 - 7:52amCHICAGO – As a testament to its set design, it wasn’t immediately clear if certain structures were naturally part of the Strawdog Theatre space or if they were fabricated specifically for the “Old Town” production.
Pie Maker, Loony Boy Steal Rightful Spotlight From Sweeney Todd in Chicago Musical
Submitted by HollywoodChicago.com on April 25, 2008 - 3:17pmCHICAGO – While Johnny Depp’s portrayal of the demon barber of Fleet Street in the 2007 film iteration sells you on his fiendish ways, actor and singer David Hess in the musical bobbles more in purgatory rather than living hysterically in hell.
Neil LaBute’s ‘In a Dark Dark House’ Unearths Long-Buried Skeletons in Three-Person Play
Submitted by HollywoodChicago.com on April 2, 2008 - 10:25pmCHICAGO – It’s not in calm seas but within torrential rains when we lay bare our true colors. Lauded playwright Neil LaBute was fixated on testing these human limits and exploring our different styles of conflict resolution when he minted the three-person play “In a Dark Dark House”.
Chicago’s ‘Brontë’ Masterfully Resurrects Three of Planet’s Most Examined Scribes of All Time
Submitted by HollywoodChicago.com on March 28, 2008 - 3:13amCHICAGO – Three of the planet’s most examined scribes of all time – a trio of Victorian spinsters, in fact, who are credited with some of the most passionate literature ever written – are resurrected in the meticulous Chicago production of “Brontë” from illustrious playwright Polly Teale.
