Guy Ritchie

‘The Ministry of Ungentlemanly Warfare’ is Guy Ritchie Forgettable

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Ministry Of Ungentlemanly Warfare” wants to be “Inglourious Basterds” in the worst way … but Henry Cavill is no Brad Pitt, and Guy Ritchie is no Quentin Tarantino. It’s a featherweight romp about British rogues killing Nazis that’s arch, witty, and completely forgettable. It goes down easy enough, but seems unlikely to inspire the love and devotion it so clearly craves.

What is it Good For! On-Air Review of Guy Richie’s ‘The Covenant’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on April 20th, reviewing “The Covenant,” which features Jake Gyllenhaal in a tense war drama, set in Afghanistan. In theaters on April 21st.

Stathaaaaaaam! On-Air Review of ‘Wrath of Man’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show on WSSR-FM (Star 96.7 Joliet, Illinois) on May 7th, 2021, reviewing the new release “Wrath of Man,” opening in theaters on May 7th, 2021.

‘King Arthur: Legend of the Sword’ is a Dull, Magicless Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Have you ever had such a bad case of déjà vu while watching a film that trying to remember where the familiar elements are from turns into a more enjoyable experience than actually seeing the film itself? If you haven’t, your quest for that kind of film is fulfilled by the incredibly forgettable “King Arthur: Legend of the Sword.”

‘The Man from U.N.C.L.E.’ Just a Big Screen Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Director Guy Ritchie’s big screen version of the 1960’s spy show “The Man From U.N.C.L.E.” is a colossal waste of time for all involved. The original show was never all that good to begin with, but this film is never able to clear that admittedly low bar, or even replicate any of the TV show’s small pleasures.

Robert Downey Jr. Personifies ‘Sherlock Holmes: A Game of Shadows’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The production team of “Sherlock Holmes: A Game of Shadows” – designers, crew, writers, director and actors – should be proud of the level of respect they have given and embodied in delivering an updated Sherlock Holmes, Dr. Watson, Professor Moriarty and the like. They take liberties, of course, but they also make sure that the truth of the characters are always intact.

Robert Downey Jr.’s Low-Tech ‘Sherlock Holmes’ Packs Powerful Punch

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Instead of relying of high-tech gadgetry and big-budget Hollywood CGI, Guy Ritchie’s gritty “Sherlock Holmes” does what major films often don’t: delivers big-payoff action sequences merely utilizing the body and mind.

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  • Michael Shannon and Travis A. Knight, Red Orchid's TURRET

    CHICAGO – When in the presence of a powerful acting force like Michael Shannon, the depth of performance is emotional and passionately essential. He co-leads with Travis A. Knight in Red Orchid Theatre’s World Premiere of Levi Holloway’s “Turret,” just extended to June 22nd at the Chopin Theatre.

  • Joe Turner's Come and Gone Goodman Theatre

    CHICAGO – The late playwright August Wilson left a gift to the world in the form of his “American Century Cycle,” a series of plays each individually set in a decade of the 20th Century, focusing on the black experience. Chicago’s Goodman Theatre presents Wilson’s “Joe Turner’s Come and Gone,” now through May 19th, 2024 (click here).

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