Movie Review

The Universe of Miranda July Foresees ‘The Future’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The beauty of indie filmmaker Miranda July lies in her ability to create substance and mystery out of the most mundane everyday circumstances. Ms. July wrote, directed and stars in the symbolically rich new film “The Future,” and nurtures the concept of “the relationship” into another realm.

Brendan Gleeson Finds Caustic Charm of ‘The Guard’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Brendan Gleeson pushes forward John Michael McDonagh’s strong “The Guard” through the sheer power of his incredible personality. The lovable-but-irascible actor delivers one of the most enjoyable performances of the year and he’s amply assisted by the great Don Cheadle and a clever, unapologetic script from his writer, making a strong directorial debut.

Jason Bateman, Ryan Reynolds Buried Under ‘The Change-Up’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “The Change-Up” is an undeniable mess, as any movie that opens with a grown man getting baby crap projected into his mouth would be (and that’s just the beginning), but one of the worst scripts of the year is saved from the depths of comedy hell by a talented cast headlined by the typically-restrained Jason Bateman playing against type.

‘Sarah’s Key’ Unlocks the Ever-Present Past

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The old saying, “those who cannot remember the past is doomed to repeat it” applies succinctly in “Sarah’s Key,” a Holocaust film with a French twist. Kristin Scott Thomas plays an American journalist who uncovers the facts in a less-remembered incident that reverberates to now.

‘Another Earth’ Reflects on Nature of Existence

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Another Earth” is a delicate movie. The emotions, atmosphere and philosophy feels like the whole thing could shatter at any moment, that’s how balanced it is on the edge of tomorrow. Through Brit Marling’s screenplay and performance, the very nature of who we are is questioned.

Only the Kiddies Will Connect to ‘The Smurfs’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There is nothing wrong with “The Smurfs” that a thousand volts of electricity couldn’t cure. It is well made, looks good in the optional 3-D and has a competent cast trying their hardest. What it lacks is a spark, either of nostalgia or a fresh update, as it meanders with the seen-it-all-before template.

Future Cult Hit in Fun B-Movie ‘Attack the Block’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Jon Favreau’s “Cowboys & Aliens” opens today and is guaranteed to make millions more at the international box office than Joe Cornish’s “Attack the Block.” That’s the bad news. The good news is that I can also guarantee you that history will regard the smaller film as the significantly better one. The line for this future cult hit starts here. Get in it before your friends tell you to.

Jenna Fischer Falls Victim to Weak Screenwriting in ‘A Little Help’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Despite the best efforts by Jenna Fischer (“The Office”) playing against type as a smoking, drinking newly-single mother, “A Little Help” is a mess. This dramedy consists of the kind of characters one only sees in a movie theater and usually only in an indie flick that thinks it’s much smarter and has much more to say about the human condition than it actually does.

Daniel Craig, Harrison Ford in Dull ‘Cowboys & Aliens’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Jon Favreau’s “Cowboys & Aliens” with Daniel Craig & Harrison Ford is a depressing snooze, a film with so many of the right elements but none of the personality to connect them into something memorable. With so many revisions from a number of writers, it feels like everyone added their own color to the piece until it all faded to gray.

Steve Carell, Ryan Gosling in Great ‘Crazy, Stupid, Love.’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Crazy, Stupid, Love.” is undeniably clichéd, broad in its humor, and a bit manipulative in its sentimentality, but it should be. This is a movie about grand statements, soulmates, and true passion, a film that unabashedly believes in the craziness and the stupidity of what we call love. It’s also one of the most purely entertaining films of the year.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Joe Turner's Come and Gone Goodman Theatre

    CHICAGO – The late playwright August Wilson left a gift to the world in the form of his “American Century Cycle,” a series of plays each individually set in a decade of the 20th Century, focusing on the black experience. Chicago’s Goodman Theatre presents Wilson’s “Joe Turner’s Come and Gone,” now through May 19th, 2024 (click here).

  • Manhunt

    CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker