Fox Searchlight Pictures

‘The Aftermath’ is Strained & Illicit Romance During War

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – One of the roots of the sexual revolution in America was World War II (as it was the roots of many social movements). The stakes of life and death in an instant motivates the softest of puppy love to passion. “The Aftermath” takes that time honored emotional intensity into a right-after-the-war romance.

Wes Anderson’s ‘Isle of Dogs’ is Inventive Delight

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

Ethereal ‘The Shape of Water’ Forms Cinema Magic

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – This breathtaking morality and love story, set in a backward age, takes all of its major themes – passion, tolerance, symbolism and thrills – to the highest level. Writer/director Guillermo del Toro has created a masterwork that is part fairy tale, part adult desperation and all cinema magic.

‘Three Billboards Outside Ebbing, Missouri’ Examines Our Violence

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

Natalie Portman Embodies a Magnificent ‘Jackie’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Capturing one of the most familiar woman of the last fifty years would seem impossible, except when focusing on one of the defining moments of her life. “Jackie” reveals Jacqueline Kennedy during the time of her husband John’s assassination, and when the nation lost a president.

‘The Birth of a Nation’ Depends on its Own Piety

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The Birth of a Nation” has been making news since it premiered at the Sundance Film Festival early this year. Taking place before the American Civil War, this incendiary look at a real slave rebellion in the deep South does pack a punch, but its approach isn’t completely successful.

‘Absolutely Fabulous: The Movie’ Too Thin to be Completely Winning

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – As far as TV shows that fans wish could be movies, the cult hit “Absolutely Fabulous” was high on the list. The adventures of Patsy and Edina, two middle age Brits with an appetite for self medication, has had a dedicated following since it premiered in 1992. Even though there were six full TV seasons, and various reunions, “Absolutely Fabulous: The Movie” has emerged.

‘Demolition’ Describes the Way They Treated the Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The attempt to make a European-style “journey of emotional morality” between four characters in New York City kept getting flatter and flatter as the tale emerged. It’s amusing that they called it “Demolition,” because as cinema, it’s basically a teardown.

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

‘Mistress America’ Ultimately Wears Out Her Welcome

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Mistress America is a movie that works best in small doses. The film is chock full of special moments, lines, and fragments of scenes, but it never really comes together as a cohesive film. I could see it easily taking on a second life once it hits streaming and YouTube.

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