Bill Murray

Rating: 3.0/5.0

CHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.

Rating: 4.5/5.0

CHICAGO – It’s always something, as the great Gilda Radner often said (through her character Roseanne Roseannadanna), and the documentary “Love, Gilda” is about all her somethings… her childhood, the early comedy days, the rise through “Saturday Night Live” and her succumbing to the dread disease of cancer. She had it all, did it all, but as always “it” could not save her, and eventually us.

Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

Rating: 3.0/5.0

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Rating: 3.5/5.0

CHICAGO – While Disney Studios’ new live action version of “The Jungle Book” is an improvement over the 1967 animated version, it’s more of a technical marvel than magical fable. And it’s unable to completely transcend the earlier version’s limitations.

Rating: 1.5/5.0

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

Rating: 4.0/5.0

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Rating: 2.5/5.0

CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and The Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy. But one can only suspend disbelief for so long and this sequel has problems that the warm glow of nostalgia can’t solve.

Rating: 1.5/5.0

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Rating: 4.5/5.0

CHICAGO – The distinct and strangely-alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.