CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Elisabeth Moss
Place in France! On-Air Review of ‘The French Dispatch’
Submitted by PatrickMcD on October 22, 2021 - 10:59am- Adrien Brody
- Benecio Del Toro
- Bill Murray
- Elisabeth Moss
- Ennui
- France
- Frances McDormand
- Henry Winkler
- HollywoodChicago.com Content
- James Baldwin
- Jeffrey Wright
- Monroe
- Movie Review
- New Yorker
- Owen Wilson
- Pat Über TV
- Patrick McDonald
- Scott Thompson
- Searchlight Pictures
- The French Dispatch
- The Morning Mess
- Tilda Swinton
- Timothée Chalamet
- WBGR-FM
- Wes Anderson
- Wisconsin
![]() Rating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 21st, 2021, reviewing the new Wes Anderson film, “The French Dispatch” in theaters beginning October 22nd.
‘The Invisible Man’ is a True Heart Pounding Thriller
Submitted by PatrickMcD on February 28, 2020 - 4:15pm![]() Rating: 4.0/5.0 |
CHICAGO – When I think of “The Invisible Man” the first thing I think of is the special effects… and that’s largely what it’s been about … from Claude Raines initial portrayal of “The I Man” in the 1930s, all the way through more modern takes like Kevin Bacon in the thriller “Hollow Man” (2000).
‘The Kitchen’ is Once Upon a Time in New York City
Submitted by PatrickMcD on August 8, 2019 - 11:31pm![]() Rating: 3.5/5.0 |
CHICAGO – It’s the ladies turn to harken back to the badass 1970s, more precisely 1977 in Hell’s Kitchen neighborhood of New York City. In an adaptation of a DC Vertigo comic series, “The Kitchen” features Melissa McCarthy, Tiffany Haddish and Elisabeth Moss finding their destiny in taking over mobster duties.
Jordan Peele’s ‘Us’ Gets Bogged Down in Conventionality
Submitted by PatrickMcD on March 20, 2019 - 7:10pm![]() Rating: 3.0/5.0 |
CHICAGO – Like his first film, “Get Out,” writer/director Jordan Peele creates a horror/thriller filled with symbolism and laughs. Unlike “Get Out,” “Us” is awash in overly concentrated plot points, a reliance on lesser references and an ending that can be seen from outer space. It’s not sophomore “jinx,” but more like the sophomore “over think.”
Art & Real World Taken to Task in Angular ‘The Square’
Submitted by PatrickMcD on November 23, 2017 - 1:50pm![]() Rating: 4.5/5.0 |
CHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”
Elisabeth Moss Reigns Supreme in ‘Queen of Earth’
Submitted by PatrickMcD on September 8, 2015 - 10:16am![]() Rating: 4.5/5.0 |
CHICAGO – Elisabeth Moss is the ‘Actor of Her Generation.’ She is a true chameleon, and can anchor a lead role while still expressing a twitch of consequence. The subject is depression in “Queen of Earth,” and writer/director Alex Ross Perry is able to honestly portray it through Moss.
Visceral ‘On the Road’ Honors a Great American Novel
Submitted by PatrickMcD on March 23, 2013 - 7:01am![]() Rating: 4.0/5.0 |
CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.
Russell Brand, Jonah Hill Rock in Very Funny ‘Get Him to the Greek’
Submitted by BrianTT on June 4, 2010 - 10:31am![]() Rating: 3.5/5.0 |
CHICAGO – Taking a character who was created as an obnoxious supporting one and giving him his own spin-off movie sounds like a recipe for disaster. Despite generally liking its stars and enjoying “Forgetting Sarah Marshall,” I was dreading the quasi-sequel “Get Him to the Greek”. There were just too many screenwriting pitfalls in which the film could have and should have fallen in.
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