Melissa McCarthy

‘The Kitchen’ is Once Upon a Time in New York City

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s the ladies turn to harken back to the badass 1970s, more precisely 1977 in Hell’s Kitchen neighborhood of New York City. In an adaptation of a DC Vertigo comic series, “The Kitchen” features Melissa McCarthy, Tiffany Haddish and Elisabeth Moss finding their destiny in taking over mobster duties.

‘The Happytime Murders’ Shoots Its Wad Too Early

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The most noteworthy feature of the puppet-noir comedy “The Happytime Murders” is its use of felt and fluff for nefarious ends, and while that’s not exactly new, there’s no reason it shouldn’t work. But the movie shoots its wad early, and doesn’t have much imagination after that beyond turning silly string into a bodily fluid.

Melissa McCarthy is the Charming ‘Life of the Party’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Melissa McCarthy is a comedic force to be reckoned with, able to wring laughs improbably out of the stingiest of material. She always manages to find the funny, which helps elevate everyone around her, and so she slips easily in the durable friendly constructs of the campus comedy in “Life Of The Party.”

‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Melissa McCarthy Really Proves She is ‘The Boss’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If anything, “The Boss” is a bigger testimony to Melissa McCarthy’s status as a comic superpower than her breakthrough role in “Bridesmaids.” That one had a veritable treasure trove of comedic talent, while McCarthy has considerably less to work with here.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Melissa McCarthy, Sandra Bullock Fuel ‘The Heat’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – An incredibly talented ensemble elevates a pretty pedestrian script in the just-funny-enough “The Heat,” a movie that gets better as it goes along, largely because its two mega-talented stars carry it over some mediocre patches of writing. Melissa McCarthy and Sandra Bullock simply have unimpeachable comic timing.

Worse Than a Real One, ‘The Hangover Part III’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.

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