CHICAGO – Theatrical satires of the Star Wars Universe are like the number of TV series the universe has wrought … too many to figure out if anything is worthwhile. But “Trade Federation” (subtitled “Or Let’s Explore Globalization Through the Star Wars Prequels”), presented by Otherworld Theatre in Wrigleyville Chicago, gets it right on.
Annie Mumolo
Discerning the Heroes is Tough in ‘Megan Leavey’
Submitted by PatrickMcD on June 9, 2017 - 7:40am Rating: 2.0/5.0 |
CHICAGO – The poster is what gives away “Megan Leavey” the most. The titular soldier, and her bomb-sniffing dog, below a billowing American flag. So which war is it? Why, it’s the Iraq invasion, where the U.S. military and the politicians at home “freed” the Iraqi citizens from a peaceful life. Making a dog story out of that boondoggle doesn’t make it any more palatable, except to “support the troops.”
Strong Cast Makes ‘Bad Moms’ Good for Some Laughs
Submitted by PatrickMcD on July 29, 2016 - 8:55am Rating: 3.5/5.0 |
CHICAGO – “Bad Moms” is another raunchy women behaving badly comedy that never met a curse word it didn’t like. But I’ll say this for ‘Bad Moms,’ it’s rebellion comes from a relatable place. What parent hasn’t wondered if they were in some way failing their children in some way by failing to live up to our pinterest levels of perfection?
Melissa McCarthy Really Proves She is ‘The Boss’
Submitted by PatrickMcD on April 9, 2016 - 9:34am Rating: 3.0/5.0 |
CHICAGO – If anything, “The Boss” is a bigger testimony to Melissa McCarthy’s status as a comic superpower than her breakthrough role in “Bridesmaids.” That one had a veritable treasure trove of comedic talent, while McCarthy has considerably less to work with here.
Judd Apatow’s ‘This is 40’ Clutters Truth with Cliché
Submitted by BrianTT on December 20, 2012 - 2:01pm Rating: 2.5/5.0 |
CHICAGO – Judd Apatow’s “This is 40” is a true disappointment, a comedy that purports to say something honest and insightful about approaching middle age in the ‘10s but blurs truth by smothering it in contrivance and cliché. Strong work from Leslie Mann and Albert Brooks rescue the project from complete disaster but the largely-unfunny and almost entirely disingenuous script mark this as the talented Apatow’s most notable misfire.
