1970s

‘The Kitchen’ is Once Upon a Time in New York City

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s the ladies turn to harken back to the badass 1970s, more precisely 1977 in Hell’s Kitchen neighborhood of New York City. In an adaptation of a DC Vertigo comic series, “The Kitchen” features Melissa McCarthy, Tiffany Haddish and Elisabeth Moss finding their destiny in taking over mobster duties.

1970s Caper Film in Enjoyable ‘Finding Steve McQueen’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “caper” film, AKA the heist film, is one of the old reliable genres in the movies, and usually involves a gang of mismatched thieves. “Finding Steve McQueen” goes all the way back to the 1970s to spotlight a based-on-truth burglary that involves Tricky Dick himself, President Richard M. Nixon.

‘Roma’ is a Celebration of Human Courage & Spirit

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – In one of the most arresting and beautiful films of the year, writer/director Alfonso Cuarón transports us back to 1970s Mexico City, to his childhood and his appreciation of memory. He also creates a human story around all the nostalgia, that all takes place in the neighborhood of “Roma.”

‘BlackKkKlansman’ is a Spike Lee Joint That Burns

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Director Spike Lee has hit the motherlode in good timing of the kind that says “Everything Old is New Again.” His overview in the true story of a black man that went undercover within the Klu Klux Klan in the 1970s nicely mirrors our current president’s divisiveness in the incendiary “BlacKkKlansman.”

‘All the Money in the World’ Has a Soft Landing

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.

Energy of Visual Cinema is the Power of ‘Wonderstruck’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In one of the coolest visual films of the Fall Season thus far, “Wonderstruck” is another winner from director Todd Haynes (“Carol”), who adapts a Young Adult graphic novel by Brian Selznick (who also wrote the screenplay). The wonder of it all, baby.

Tom Cruise in ‘American Made’ Never Gets Off the Ground

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Tom Cruise was once a Top Gun, but his newest film “American Made” never really takes off. It wants to be a truth-is-stranger-than-fiction kind of satire where commercial airline pilot Barry Seal (Tom Cruise) winds up getting involved in the Iran Contra Affair and the Medellín drug cartel, but it never creates an enthralling place or story.

'Free Fire' Knows That Happiness is a Warm Gun

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.

Searing ‘Last Days in Vietnam’ Documents Vital History

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It has been nearly 40 years since the Vietnam War truly ended, with the desperate events during the Fall of Saigon. “Last Days in Vietnam” is a brilliant new documentary that puts it all in perspective, the final surreal folly of America’s nightmarish involvement in the Vietnam War. Director Rory Kennedy – the youngest daughter of Robert F. Kennedy – generates a precise and gripping document that lingers long after it has been experienced.

Director Ron Howard Delivers a Meticulous ‘Rush’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Defining the glory days of any sport is often centered on personal rivalries. The 1970s – notable for stand-offs like John McEnroe and Björn Borg – had a similarly contentious rivalry between Formula One car racers James Hunt and Niki Lauda, portrayed in Ron Howard’s “Rush.”

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