Josh Brolin

Rating: 4.5/5.0

CHICAGO – When it comes down to this, and the creators do it right, there is no more satisfying conclusion than “Avengers: Endgame.” Admirers of this magnificent Marvel (Studios) Universe story will get everything they want. It is the “Gone with the Wind” of superhero epic films.

Rating: 4.0/5.0

CHICAGO – We don’t really know what is going on at the Mexican border, nor if we’re lucky understand the desperation in crossing over. “Sicario: Day of the Soldado” is a cynical and sad film, but gives a bit of perspective on the this ongoing situation, especially as it deflates the current presidential administration.

Rating: 3.5/5.0

CHICAGO – We could all use some laughs, and “Deadpool 2” blessedly delivers. The meta superhero Deadpool – who exists both as a anti-hero and actor playing him – provides the wisecracks in the midst of the mayhem he experiences, and entertains in a way that other comic book movies wish they could be.

Rating: 5.0/5.0

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

Rating: 4.0/5.0

CHICAGO – Seeing the man behind the curtains in “The Wizard of Oz” really was when so many of us truly understood what “behind the scenes” means. Today, we’re fascinated by FBI and CIA stories because they grant us top-secret security clearance we’ll otherwise never have.

Rating: 3.5/5.0

CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.

Rating: 3.0/5.0

CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.

Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.

Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

Rating: 4.0/5.0

CHICAGO – There is a real power when the right filmmaker connects with the right performers. What appears on the surface to be a slight and well-worn story, gains a decided psychological edge. “Labor Day” features Kate Winslet and Josh Brolin, and writer/director Jason Reitman.

Rating: 1.5/5.0

After years in development hell, Spike Lee’s remake of Park Chan-wook’s beloved “Oldboy” is finally here. Does it live up to the high expectations set by the original? Does it mark a return to form from the director of some of the most important movies of his era or is it another disappointment? No and no. Sadly, what’s so remarkable about “Oldboy,” especially when one considers the darkness of its themes and graphic violence, is that it’s just so forgettable. It’s an echo of Park’s film and will be quickly dismissed in the legacy of its director.