Eva Green

Tim Burton’s Version of ‘Dumbo’ is Disappointingly Glum

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For reasons which remain unexplained, Walt Disney Studios and director Tim Burton have decided to weigh down the sweet story of a flying elephant with a whole pachyderm’s worth of pathos. The animated original clocked in as one of Disney’s shortest full length animated features. But the live action version drags us through nearly an extra hour’s worth of post-World War One misery.

More Risqué ‘Sin City: A Dame to Kill For’ Doesn’t Dare to Trailblaze Again

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.

Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.

‘Sin City: A Dame to Kill For’ Breaks No New Ground

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

‘300: Rise of an Empire’ Gets Its 3D War On

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The rewriting of history in comic book movie form – not that’s anything wrong with that – continues with “300: Rise of an Empire.” Ancient wars are brought to life through a combination of mythology, six-pack abs, 3D blood spurts and comprehensive special effects, which can be better than history.

Keep Tim Burton’s ‘Dark Shadows’ Out of the Light

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

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