![]() Television Rating: 5.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 18th, 2021, reviewing the new TV series “Young Rock,” Tuesdays on NBC-TV.
![]() Rating: 3.0/5.0 |
CHICAGO – Maybe inside filmmaker M. Night Shyamalan’s head, his latest film “Glass” works… all the elements of what we need to know about this sequel to MNS’s previous films “Split” and “Unbreakable” are within. However, what works inside the director’s head may not work for the audience, especially in the first half of the film.
![]() Rating: 3.0/5.0 |
CHICAGO – Man, talk about bad timing. With the Stoneman Douglas shootings still making news, America will now entertain itself with a vigilante doctor shooting anything he sees? Yeesh. Bruce Willis is game in the watchable-but-ultra-violent “Death Wish.”
![]() Rating: 1.5/5.0 |
CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.
![]() Rating: 3.0/5.0 |
CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.
Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.
![]() Rating: 3.0/5.0 |
CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.
![]() Rating: 2.5/5.0 |
CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.
![]() Rating: 3.0/5.0 |
CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.
![]() Rating: 0.5/5.0 |
CHICAGO – The franchise has been in steady decline since the original “Die Hard,” quite simply one of the best action films of all time, but that still doesn’t prepare one for the truly horrendous “A Good to Day to Die Hard,” a complete waste of time on every level. Loud, obnoxious, boring, cartoonish, morally reprehensible, and just plain stupid, “A Good Day to Die Hard” is just bad, bad, bad.
![]() Rating: 4.5/5.0 |
CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.
![]() Rating: 3.0/5.0 |
CHICAGO – Face it, it is fun to see the major action stars of the 1980s, ‘90s and now – Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Dolph Lundgren, Bruce Willis and Arnold Schwarzenegger – together again for “The Expendables 2.” Why the hell can’t anyone write a decent story for them?
![]() Television Rating: 5.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 18th, 2021, reviewing the new TV series “Young Rock,” Tuesdays on NBC-TV.
CHICAGO – What is one of the greatest survival instincts of the pandemic? Creativity. The Zoom web series “What Did Clyde Hide?” is the result of a creative effort from Executive Producer/Show Runner Ruth Kaufman, Producer Sandy Gulliver and Director Sean Patrick Leonard. Kaufman and Leonard talk about the series, naturally, via Zoom.!—break—>