Danny Glover

'The Dead Don't Die' Offers Full-On Horror Homage But Little Else

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.

Pungent & Trippy Satire in ‘Sorry to Bother You’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If the film “Get Out” was a shot across the bow in satirizing black and white skin relationships, then “Sorry to Bother You” is a freaking Tomahawk missile. It’s about the time, the space and the state of the human race, which comes to a crescendo of wild and untamed proportions.

‘Monster Trucks’ May Be One of the Weirdest Films Ever

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A four year old walks into a room with a great idea for a movie, and unfortunately his father is president of a “motion picture group.” Millions of dollars and four years later, this child’s idea became “Monster Trucks,” one of the strangest movies ever conceived.

‘Beyond the Lights’ Has a Respect for Storytelling

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Writer/Director Gina Prince-Bythewood, the creator of the cult favorite “Love & Basketball,” is back with another original story that she created, an intimate and romantic perspective on a singer on the path to nowhere, despite superstar-level fame. Gugu Mbatha-Raw stars as that singer in “Beyond the Lights.”

Common Delivers Best Work to Date in Problematic ‘LUV’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Assigned the role of World’s Worst Father Figure, Common delivers a performance so compelling that it nearly makes Sheldon Candis’ blood-soaked odyssey worth the trip. Nearly, however, is the key word. For all of it merits, this picture derails into a ditch of heavy-handed implausibility at the precise moment when it should be soaring.

Chris Rock, Martin Lawrence Are Stiff in Tepid ‘Death at a Funeral’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When some of the funniest comedians in the business – Chris Rock, Martin Lawrence, Tracy Morgan – can’t deliver a absurdist comedy about family secrets, then there truly is “Death at a Funeral.”

Gondry’s Cinematic Breakthrough ‘Be Kind Rewind’ Proves Again He’s an Artistic Goliath

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – Michel Gondry’s latest cinematic breakthrough “Be Kind Rewind” grants passage into his magical imagination and proves yet again he’s one of today’s artistic giants.

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  • Invictus Theatre Network

    CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.

  • Emily in Paris

    CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.

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