Focus Features

Rating: 3.0/5.0

CHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.

Rating: 2.5/5.0

CHICAGO – Admittedly, horror films are not my thing. I find them redundant, pandering and more reliant on gore rather than story. “Greta” is somewhat of a thriller horror film, about an older lady stalker preying on a younger New York City woman, but it had both a seen-it-before and unreliable plot.

Rating: 4.5/5.0

CHICAGO – There are cultural heroes, and then there is comedy writer Steve Young. Through sheer happenstance, he began a journey that ended up with a rediscovery of an art form that without Young’s intervention would have died. The U.S. corporation Broadway-style “industrial musical,” which highlighted products or sales meetings in a song and dance presentation, were at its peak popularity from the 1950s through the ‘70s. “Bathtubs Over Broadway” is Young’s documentary of appreciation for those shows and and his intervention to revive them.

Rating: 5.0/5.0

CHICAGO – Many heroes of America toiled long behind the scenes to break the chains of oppression. For every Susan Anthony or Martin Luther King Jr. there were the activists, legal experts and volunteers who sought the justice denied to them by the archaic patriarchal society. One such hero is Ruth Bader Ginsburg in the film “On the Basis of Sex.”

Rating: 3.5/5.0

CHICAGO – America is facing a confusing time of crisis, again. There are giant groups of people who are ready to hate other people for biological traits that can’t—and don’t need to—be changed, like skin color, sexual orientation, and race. “Boy Erased” adds to the national dialogue by showing the devastating effects this type of mentality can have inside our own families, and how to prevent it.

Rating: 4.5/5.0

CHICAGO – Director Spike Lee has hit the motherlode in good timing of the kind that says “Everything Old is New Again.” His overview in the true story of a black man that went undercover within the Klu Klux Klan in the 1970s nicely mirrors our current president’s divisiveness in the incendiary “BlacKkKlansman.”

Rating: 2.0/5.0

CHICAGO – “Tully” is a deeply weird motherhood fantasy snuck inside the friendly-but-distancing screenwriting constructs of another pseudo ironic story by Diablo Cody. Charlize Theron plays Margo, a mother of two kids with a third due any day, struggling with the sacrifices she’s made for motherhood.

Rating: 4.0/5.0

CHICAGO – What would you expect from an event subject that has been already rendered four times on film, and deals with terrorism, hijacking and government negotiation? “7 Days in Entebbe” contained all of this, and yet still maintained a separate energy and cinematic artistry. In many ways, it’s one of the most surprising films of the young year.

Rating: 3.0/5.0

CHICAGO – There is a certain beauty in human creation, and the fashion industry allows that we can be individual in the sense of our clothing choices. The perfection that those creators attend to is nicely defined in “Phantom Thread,” but as an exploration of their personal life, it is frustrating.

Rating: 5.0/5.0

CHICAGO – The human-ness of being human never changes, fundamentally. The mating season arrives, and the effect makes for both great connections and bad decisions. Director Sofia Coppola emphasizes this in a reverent film production of the story called “The Beguiled.”