Bryan Cranston

‘Argylle’ is a Triple Threat … Uninspired, Idiotic and Boring

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Argylle” is a nasty, smelly cinematic hairball coughed up on unsuspecting audiences. It’s a collection of half remembered clichés, atrocious writing, incoherent action, and terrible performances. A flaming dumpster fire of which only the great comic actor Catherine O’Hara emerges largely unscathed.

Meet Me Tonight! On-Air Review of Wes Anderson's ‘Asteroid City’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on June 22nd, reviewing “Asteroid City,” the latest film directed by America’s auteur, Wes Anderson. In theaters on June 23rd.

‘The Upside’ Works Because of Kevin Hart & Bryan Cranston

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In 2011, there was a notable French film called “The Intouchables,” based on the true story of quadriplegic Phillippe Pozzo di Borgo and the relationship with his caregiver. Leave it to the U.S. film industry to get its sticky fingers on the story, and seven years later Bryan Cranston portrays “Phillip” and his caretaker is portrayed by Kevin Hart. Instead of story, this version relies on its lead actors.

Wes Anderson’s ‘Isle of Dogs’ is Inventive Delight

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

‘Power Rangers’ Reboot is a Stunning Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – The big budget “Power Rangers” reboot tests the limits of just how pedestrian a supposed $100 million dollar blockbuster can be. Part of that is due to the fact that superhero movies are a dime a dozen these days, and a movie has to have something more than just silver screen quality special effects to set it apart. But looking at the finished project – with its flat performances, sluggish pace, and ho-hum-yet-costly effects, it’s hard to see who was exactly asking for this anyway?

Hollywood’s ‘Godzilla’ Misses, Mocks Ishirô Honda’s Main Warning Message

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Except for the clear purpose of cashing in on yet another “Godzilla” remake, everything is happening for no reason. Worst of all, what is ensuing misses and even mocks the reason why Ishirô Honda originated 1954’s “Godzilla” in the first place.

‘Godzilla’ Just Goes Where He Has Gone Before

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I did not like “Godzilla.” That sentence alone might make my review interesting enough to attract some initial attention. But despite that, and despite the fact that I’m a sucker for pretty much giant anything if it stomps a city, I’m holding fast to this judgment.

Ben Affleck Reaches Career Peak with Tense, Masterful ‘Argo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Ben Affleck has reached the apex of his already impressive directorial career with the stunning “Argo,” a tight, tense machine of a film, a masterwork that delivers as comedy, action, drama, and more. Critics see movies all the time that we understand may produce a divided response. We get that many acclaimed films won’t make a dent with the populous.

‘Total Recall’ Remake Should Be Wiped From Your Memory

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Paul Verhoeven’s “Total Recall” has been run through a machine and turned into a personality-less, numbing exercise in CGI action with a complete lack of any characters worth giving a damn about and a totally wasted opportunity at social commentary. Sure, seeing Jessica Biel fight Kate Beckinsale while Colin Farrell punches a robot in a speeding space elevator has something inherent that appeals to the 12-year-old boy in me but that doesn’t make it filmmaking. No, filmmaking and Len Wiseman are two things that don’t really go together.

Tom Cruise, Julianne Hough Have Fun in ‘Rock of Ages’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Although the jukebox musical needs an available pasture to be put out onto, the new film “Rock of Ages” – based on the Broadway stage play – improves on that genre by having a little fun and lots of tongue-in-cheek. Tom Cruise, Julianne Hough, Alec Baldwin and Russell Brand rock the cashbox.

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