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Ground Control to Major Release! On-Air Film Review of ‘I.S.S.’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on January 18th, 2024, reviewing “I.S.S.,” a story of intrigue and skullduggery … in spaaaaaaaace! In theaters on January 19th.

A Place for Us! On-Air Review of ‘West Side Story’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on December 9th, 2021, reviewing the much anticipated remake of “West Side Story,” directed by Steven Spielberg, in theaters on December 10th, 2021.

Ain’t That America! Audio Review of ‘Holler’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review on the new film “Holler,” an IFC Films new release about a brother and sister trying to survive in a dying factory town. In select theaters and through Video On Demand beginning June 11th, 2021.

The Beckoning Road! On-Air Review of ‘Nomadland’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 16th, 2021, reviewing the new film “Nomadland,” in theaters and streaming on HULU beginning February 19th, 2021.

‘The Upside’ Works Because of Kevin Hart & Bryan Cranston

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In 2011, there was a notable French film called “The Intouchables,” based on the true story of quadriplegic Phillippe Pozzo di Borgo and the relationship with his caregiver. Leave it to the U.S. film industry to get its sticky fingers on the story, and seven years later Bryan Cranston portrays “Phillip” and his caretaker is portrayed by Kevin Hart. Instead of story, this version relies on its lead actors.

‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”

Remake of ‘Overboard’ a Fun & Unexpected Treat

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When the movie remake of the 1987 charmer “Overboard” was announced last year, immediately my thought was “it will stink.” But the creators of this remake didn’t listen, and produced a charmer of their own, twisting the premise and adding the hope of America. If that ain’t heart, I don’t know what is.

‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

Glaring Lack of Originality Handicaps ‘The Bad Batch’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

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