CHICAGO – It is Chicago where New York City native Harry Wood is debuting his first play, entitled “Roast,” through The Comrades theater company at the Greenhouse Theater Center. The comic drama, about a gathering of stand up comics and relatives to “roast” – rather than eulogize – a deceased fellow comedian, is a World Premiere that runs through August 18th, 2019. For tickets and more information, click here.
Ansel Elgort
‘Baby Driver’ Runs on the Fast Track of Movieland
Submitted by PatrickMcD on June 28, 2017 - 8:24am Rating: 4.5/5.0 |
CHICAGO – While it may seem that we’ve seen this type of tough-guy robbery gang film before, “Baby Driver” lives in its own universe, that of the movieland of movies. It is rich in squealing tires, bang-bang guns synched to the soundtrack, and a mystery cool boy creating his own star-crossed romance.
Tearjerking ‘The Fault in Our Stars’ is ‘The Notebook’ of This Decade
Submitted by HollywoodChicago.com on June 6, 2014 - 9:52am Rating: 4.0/5.0 |
CHICAGO – Sure, I’ll admit it. With so many new films to screen and review, I’ll choose the sci-fi action/thriller from the man behind the Bourne flicks over a movie that’s being called “the greatest romance story of this decade”.
‘Divergent’ Wastes Talented Cast on Joyless Adaptation
Submitted by BrianTT on March 20, 2014 - 9:12am Rating: 1.5/5.0 |
CHICAGO – Despite the best efforts of a game Shailene Woodley and likely future star Theo James, Neil Burger’s “Divergent,” based on the hit book by Veronica Roth, is a joyless, soulless, humorless dud. It is repetitious to the point of parody, never feels like it exists in anything approximating reality, and, like so many “Hunger Games” wannabes, forgets that it’s the characters of that franchise that matter and not the goofy machinations of the plot.
Performances Carry Update of Horror Classic ‘Carrie’
Submitted by BrianTT on October 17, 2013 - 12:52pm Rating: 3.5/5.0 |
CHICAGO – Director Kimberly Peirce (“Boys Don’t Cry”) doesn’t convey the dread or atmosphere of Stephen King’s “Carrie” to a degree that elevates it to the source material’s true potential but she does handle performance in a way that’s rare in the genre, making this remake one of the best horror films of the season.
