Dystopia

Dynamic Florence Pugh Captivates in ‘Don’t Worry Darling’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A sure hand behind the camera and a dynamic performance from Florence Pugh help “Don’t Worry Darling” pull off an extremely difficult balancing act. This isn’t a perfect movie by any stretch of the imagination, but it inspires the kind of impressions and ideas that you will still be talking about a week later.

Spaced Out! On-Air Review of ‘The Midnight Sky’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 17th, 2020, reviewing the new film “The Midnight Sky,” which will stream on Netflix beginning December 23rd.

‘Maze Runner: The Death Cure’ Has Run Out of Life

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Good vs. Evil Brightly Entertaining in ‘The Dark Tower’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nobody does good vs. evil archetypes like author Stephen King, and this framework is purposeful in the film adaptation of King’s “The Dark Tower.” The popular book series gets a visual kick through the rendering of director Nikolaj Arcel and Ron Howard’s Imagine Entertainment.

Glaring Lack of Originality Handicaps ‘The Bad Batch’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

‘The 5th Wave’ Crashes, Then Slowly Dissipates

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Is there ever an end to the Young Adult Dystopia genre (“Hunger Games,” “Maze Runner,” etc.)? Or are we cursed with the end of the world every year, if it weren’t for those meddling kids? “The 5th Wave” is the latest adaptation, and if you haven’t read the source novel, good luck following it.

‘The Maze Runner’ a Cut Above Teenage Dystopia Genre

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Yes, the future world of teenage bleakness, so popular in “The Hunger Games” and “Divergent,” now has its own genre. “The Maze Runner” is an excellent entry, and gets over its stilted dialogue and scary monsters by adding in surprises and atmospheric mystery.

Unique Style Overcomes Stiffness in ‘Dredd 3D’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Judge Dredd is a comic book character, right? In a comic book movie, right? Okay, that might mean – as in this case it does – that there will be some static dialogue and the old good-versus-evil sameness. But the new film “Dredd 3D,” featuring Karl Urban in the title role, forges beyond the ordinary by generating some arresting visual sensations.

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