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Movie Review

‘Harry Potter and the Half-Blood Prince’ Discovers the Wizard of Awe

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The Harry Potter phenomenon, born from the pen of J.K. Rowling and nurtured through the utter magic of modern filmmaking, has reached a monumental creative peak with the film “Harry Potter and the Half-Blood Prince.”

‘I Love You, Beth Cooper’ Inspires Hatred For the High School Genre

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In what could be the worst mainstream release of the summer, “I Love You, Beth Cooper” wastes talent, production values and ultimately time in a cliché-ridden mess that produces little or no real love.

‘Brüno’: Must a Movie Like This Be Broadcast Üniversal?

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – As a tribute to “Borat,” let’s start with a lesson in “not” jokes.

“Brüno” is everything one would hope for in a Sacha Baron Cohen return. The film is hilarious, unpredictable and worth every dollar it will make… NOT! There is a great fallacy that has spread in Hollywood and “Brüno” is one of its many victims.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

Johnny Depp’s ‘Public Enemies’ Delivers Bona Fide Chicago Powerhouse

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Was John Dillinger an Adolf Hitler-level criminal mastermind or a modern-day Robin Hood superman? In the authentic reality portrayed by the god-like Johnny Depp in the Chicago-filmed “Public Enemies,” he’s a little bit of both for blockbuster filmmaker Michael Mann.

‘My Sister’s Keeper’: An Emotional Look at a Modern Moral Dilemma

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The advancement of medicine has brought about many things: longer life-expectancy, treatments for serious illnesses such as cancer, artificial conception, and genetic modification. Though there are positive aspects to each of these things, inherent within each are moral dilemmas we will have to face.

‘Transformers: Revenge of the Fallen’ is Galaxies Away From its Predecessor

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – There are often many reasons sequels should not be made. “Transformers: Revenge of the Fallen” is one of them.

Seeking that “Allspark” exhilaration pumped into many of us from the original “Transformers,” moviegoers will flock to the sequel with anticipation.

‘The Proposal’ a Marriage of Talents From Ryan Reynolds, Sandra Bullock

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – At some point in our lives, most of us have had to reach beyond our job descriptions to appease a demanding boss. Common themes from making coffee to picking up dry cleaning are familiar and often tolerated as one strives to “get ahead”.

‘Food, Inc.’: An Undercooked Documentary With Simply Too Much on Its Plate

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The side effect of a well-executed horror film is lack of sleep. The side effect of a well-executed documentary on corruption of our food supply is lack of appetite. Personally? I left “Food, Inc.,” went straight to lunch and had a big ole’ fried-chicken salad.

‘Imagine That’: Eddie Murphy’s Family Fare Predictable as Sunrise

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nobody expects an actor to maintain the ambitions of their early career. The manic energy of Eddie Murphy from “Raw” or “48 Hours” is as gone as an ‘80s hairdo. But the numbing sameness of family-friendly Eddie is a direction that is stultifying, and does no favors for him or the audience.

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