David Morse

‘World War Z’ Reminder of 1950s Apocalyptic Films

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Earnest family man, check. Somber, ineffective bureaucrats, check. Monsters in nature created through mankind’s hubris, check. Unintentional laughs, check and checkmate. That describes every plot of a 1950s end-of-the-world movie treatment, and the latest Brad Pitt film, “World War Z.”

‘The Odd Life of Timothy Green’ Misses Emotional Connection

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

Life's a Grind For Nicolas Cage in ‘Drive Angry 3D’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Muscle cars, kick-ass dudes and foxy ladies have been staples of the grindhouse since Detroit had a pulse. Nicolas Cage joins that parade in the over-the-top road picture called “Drive Angry 3D,” lest we mistake it for the 2nd dimension.

Annette Bening, Naomi Watts Lack the Connection in ‘Mother and Child’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Mother and Child,” with an all star cast of Annette Bening, Naomi Watts, Samuel L. Jackson, Jimmy Smits and Kerry Washington, is mindful of its subject matter, that rare and elusive connection between a mother and their offspring. However, the film has difficulties when the characters become inconsistent with their past backgrounds after that connection is introduced.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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