CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
Amanda Peet
For a Real Summer Movie, Go ‘The Way, Way Back’
Submitted by PatrickMcD on July 5, 2013 - 8:05am Rating: 4.0/5.0 |
CHICAGO – Nothing evokes the time, sights and smells of summer like the getaway resort. The long days, the mystery of night, the first crush and the summer job are all brought back in the soapy yet fun “The Way, Way Back,” featuring Steve Carell, Sam Rockwell and Allison Janney.
Jack Black, Emily Blunt Think Big in ‘Gulliver’s Travels’
Submitted by PatrickMcD on December 24, 2010 - 11:00am Rating: 3.5/5.0 |
CHICAGO – Call it too much holiday eggnog, but the re-imagining of the immortal classic “Gulliver’s Travels,’ starring Jack Black, Emily Blunt and Jason Segal, has a little Yuletide fun and hurts no one. If you like Jack Black, you’ll enjoy the film. If you don’t, find another way to spend 93 minutes this tinsel time weekend.
Catherine Keener Shines in Nicole Holofcener’s Rewarding ‘Please Give’
Submitted by BrianTT on May 7, 2010 - 12:37pmRating: 4.0/5.0 |
CHICAGO – Writer/director Nicole Holofcener (“Lovely and Amazing,” “Friends With Money”) has an amazing ability to write characters that immediately feel genuine. It helps to have an actress as free of artifice as Catherine Keener as your regular lead but we shouldn’t diminish Holofcener’s rare ear for dialogue that actually sounds like it wasn’t created by a screenwriting machine.
No Matter How Hard You Believe Otherwise, ‘The X-Files: I Want to Believe’ Most Anemic Story Yet
Submitted by HollywoodChicago.com on July 25, 2008 - 12:01am Rating: 2.5/5.0 |
CHICAGO – Following an addictive TV series that spanned from 1992 to 2002, I wanted to believe “The X-Files: I Want to Believe” would more dynamically pay homage to its television success than Chris Carter’s first film attempt in 1998. In take two, though, it didn’t happen.
