Fox Searchlight

Rating: 4.5/5.0

CHICAGO – Looking through auteur Yorgos Lanthimos’ filmography, you’ll recognize a style that combines both visual beauty and narrative absurdism. The Lanthimos effect, or Lanthimo-nium as I like to call it, elevates any piece of work to such a high degree that often times the meanings go over our heads. In his most mainstream effort to date, “The Favourite” will likely become your favorite of his works.

Rating: 2.5/5.0

CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.

Rating: 4.0/5.0

CHICAGO – Motivated by financial necessity, sequels often mitigate business risk and satisfy studio executives by riding on the coattails of a previous fan base with brand equity. But business aside, to moviegoers the follow-up product so often feels like it “wasn’t nearly as good as the first” or didn’t need to return at all.

Rating: 2.0/5.0

CHICAGO – At times “Wild” resembles the hallucinatory fever dream of a dehydrated and delirious hiker (played by Reese Witherspoon), alone in the world. I only wish her fever dreams were more interesting for the rest of us.

Rating: 5.0/5.0

CHICAGO – Steve McQueen’s “Shame” is a daring examination of isolation and addiction with the best performance of the year courtesy of Michael Fassbender and one that nearly matches it from the always-stellar Carey Mulligan. This is dark, confrontational material of the kind that too few major filmmakers are willing to tackle and it will haunt you for days after you see it. Don’t miss it.

Rating: 1.0/5.0

CHICAGO – Wayne Wang’s “Snow Flower and the Secret Fan” is such a stunningly inert film that it’s almost worth seeing to watch a movie with no thrust whatsoever. Probably due to a language barrier, the film features two of the least effective lead performances of the year, which keeps the audience from engaging in the story emotionally and just leaves them wondering how this book became a bestseller.

Rating: 5.0/5.0

CHICAGO – Writer/Director Thomas McCarthy makes films with that very unique attribute in which the characters completely feel like they exist before the opening scene and after the credits roll. As he did in “The Station Agent” and “The Visitor,” he has told another unique story that is both moving and also believable at the same time, an increasingly-rare combination. “Win Win” is the first great film of 2011.

Rating: 4.5/5.0

CHICAGO – What separates us during extreme danger? Why do some people collapse under the weight of likely death while others push forward and make it out alive? What fuels the will to survive to the point that it can do the unimaginable? Aron Ralston has surely thought about his personal answers to these questions and Danny Boyle’s riveting film about his defining incident, “127 Hours,” now brings them to millions of captivated fans in theaters around the world.

CHICAGO – To purely document the life of a street-singing busker, “Once” director John Carney didn’t engage actors. He married musicians.