Stephen Merchant

‘Good Boys’ Misses the Mark But Manages to Land

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The innocence of childhood is about to be wrecked for the gazillionth time, c’est la vie. “Good Boys” is a raunchy film with foul-mouthed middle schoolers going on wacky adventures. The pretzel logic to set up these adventures are weak, but the core of the conclusion is the strength.

Story Spins Out of Reach for ‘The Girl in the Spider’s Web’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There is nothing wrong with revisiting The Girl with the Dragon Tattoo. That tattoo has made beaucoup bucks in book and film forms (both foreign language and Americanized versions), and Claire Foy taking over for Rooney Mara in the title role is seamless. So why the totally lackluster story? Is this a narrative source problem?

As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.

‘Logan’ Bares Its Sharp Claws & Eviscerates Us Emotionally

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a war raging in the comic book cinematic universe where filmmakers think that these kinds of films should embrace their over the top (verging on campy) nature while others think they should be darker and made deathly serious. “Logan” proves that they are both wrong as it strikes a balance between all of those elements while remaining true to the character.

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