Morgan Freeman

Rating: 2.0/5.0

CHICAGO – Film has always felt like a much more accessible way to get cultured than, say, going to watch a play or opera. Watching a foreign film can educate you about the world and history as well as any play. “The Nutcracker and the Four Realms” promised that kind of experience, but your time is better served catching the actual ballet at a local theater instead.

Rating: 2.0/5.0

CHICAGO – In 1979, there was a beautifully understated film called “Going in Style,” taking on the issues of aging, loneliness and the forgotten senior citizens in society. Those issues have not altered in our modern society, but you wouldn’t be able to tell that with the 2017 remake of “Going in Style.”

Rating: 1.5/5.0

CHICAGO – In most cases, remaking a classic film is a fool’s errand that will end in disappointment for everyone involved. The greatest pitfall is the inevitable comparison between the two films. This form of cinematic suicide is becoming more prominent as cash grabs attempt to revive still relevant films. There are few stories that can and should be resurrected, but “Ben-Hur” is not among them.

Rating: 1.5/5.0

CHICAGO – Separately, you love all these movie star icons and funny people – Daniel Radcliffe, Michael Caine, Mark Ruffalo, Jesse Eisenberg, Woody Harrelson, Morgan Freeman, Lizzy Caplan and Dave Franco. Together, they add up to a terrible sequel, “Now You See Me 2.”

Rating: 3.5/5.0

CHICAGO – While it’s cruder and it can’t quite match the original “Ted,” “Ted 2” is still funnier than it has any right to be. It is unmistakably a Seth MacFarlane production, and there are a million reasons why this movie shouldn’t work, chief among them a plot that attempts to plop a foul mouthed talking teddy bear into a moralistic legal parable about civil rights. But I can’t deny I laughed throughout, almost despite myself.

Rating: 4.5/5.0

CHICAGO – They don’t come along often, the rare fun-for-the-whole-family film. But “Dolphin Tale 2” fits that description perfectly, throws in some idealistic symbolism, and more importantly follows those symbols through to the end.

Rating: 4.0/5.0

CHICAGO – “Lucy” is a piece of high-minded cinematic junk food that manages to be outlandishly weird while still satisfying the lizard brain desires of its audience. It’s a film that knows what’ll get the behinds in the seats, and that appeal can effectively be summed up in one shot. It shows Scarlett Johansson in a tight-fitting white t-shirt walking in slow motion with her bosoms bouncing in unison, carrying two guns and ready to kick some serious ass.

Rating: 3.0/5.0

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Rating: 2.5/5.0

CHICAGO – It’s challenging to enjoy this film purely for what it is rather than fault it for what it could have been.

“Island of Lemurs: Madagascar,” which opened exclusively in IMAX 3D and 2D on April 4, 2014 and is narrated by Morgan Freeman, is only 39 minutes. The film too simply grazes the surface of a complicated problem.

Rating: 4.5/5.0

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.