Rachel McAdams

Rating: 4.5/5.0

CHICAGO – Writer/director Woody Allen and the amazing cinematographer Darius Khondji (“Seven,” “The City of Lost Children”) very purposefully open their new film “Midnight in Paris” with a long series of static shots of the title city before even presenting a cast list. You see, Paris is a cast member in this film. The sun rises, people hustle and bustle through Paris, they sip coffee in cafes, the lights go on at dusk, and the city sleeps.

Rating: 3.5/5.0

CHICAGO – The Holiday Season for films is populated by epic crowd pleasers and artsy Oscar bait. In between are the warm popcorn movies that don’t attempt to be anything except what they are. Harrison Ford, Rachel McAdams, Diane Keaton and Patrick Wilson illustrate that cinematic point in the appealing and accessible “Morning Glory.”

Rating: 3.5/5.0

CHICAGO – Instead of relying of high-tech gadgetry and big-budget Hollywood CGI, Guy Ritchie’s gritty “Sherlock Holmes” does what major films often don’t: delivers big-payoff action sequences merely utilizing the body and mind.

Rating: 3.0/5.0

CHICAGO – I’ll be the first critic to tell you that they don’t make adult thrillers often enough. I was very disappointed by the lackluster box office take of Tony Gilroy’s ” Duplicity”. But does that mean that we should give all intellectual mysteries a pass? Of course not. And while I want to love Kevin Macdonald’s “State of Play,” a few poor decisions during production keep it back from being the excellent film it could have been.

CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.