CHICAGO – Love is a powerful enough force to transcend any obstacle that you may put in its path.
Woody Allen
Woody Allen Has Run Out of Ideas with ‘Wonder Wheel’
Submitted by PatrickMcD on December 10, 2017 - 8:03am Rating: 1.0/5.0 |
CHICAGO – Woody Allen emptied out his junk drawer of discarded script ideas and somehow managed to convince Kate Winslet to star in it. That’s the gist of the latest “serious Woody” entry in the Oscar winner’s long running career. Woody Allen has had some timeless triumphs, but lately he’s been more about quantity than quality.
Old Hollywood Glamour in Woody Allen’s ‘Café Society’
Submitted by PatrickMcD on July 23, 2016 - 7:33am Rating: 4.0/5.0 |
CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”
Deep Thoughts, Shallow Characters in ‘Irrational Man’
Submitted by PatrickMcD on July 24, 2015 - 3:32pm Rating: 3.0/5.0 |
CHICAGO – At this point in his stellar career, what is fascinating about Woody Allen is basically what he thinks about. He is a successful, family-stable, millionaire filmmaker with mortality issues. In “Irrational Man,” he ponders the existential question of “what lights the spark of life?”
‘Magic in the Moonlight’ is Woody Allen By the Book
Submitted by PatrickMcD on July 25, 2014 - 2:49pmRating: 3.0/5.0 |
CHICAGO – After last year’s powerful “Blue Jasmine,” writer/director Woody Allen’s trajectory seemed destined toward another film masterpiece, but “Magic in the Moonlight” isn’t it. Colin Firth and Emma Stone are an unlikely pairing in this seen-it-before-Woody film trifle.
Warm ‘Fading Gigolo’ Has Odd Romance, Woody Allen
Submitted by PatrickMcD on May 5, 2014 - 4:06pm Rating: 3.5/5.0 |
CHICAGO – How do you make a Woody Allen-style film? You hire Allen to act in it. Writer, director and lead actor John Turturro channels the soul of Allen’s films by creating a strange and romantic scenario with different types of relationships, including one with Allen himself in “Fading Gigolo.”
‘Blue Jasmine’ Puts Woody Allen Back on Top
Submitted by PatrickMcD on August 2, 2013 - 4:59am Rating: 4.5/5.0 |
CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”
Greta Gerwig Lights Up the Life of ‘Frances Ha’
Submitted by PatrickMcD on May 24, 2013 - 8:43pmRating: 4.5/5.0 |
CHICAGO – Greta Gerwig is a gift to the type of film acting that dominates the screen. This beautiful, versatile actor gives poignant energy to her latest title character, “Frances Ha,” a collaboration with indie director Noah Baumbach (“Greenberg”).
Woody Allen’s ‘To Rome with Love’ is Episodic, Choppy
Submitted by PatrickMcD on June 29, 2012 - 3:50pmRating: 3.5/5.0 |
CHICAGO – Writer/director Woody Allen continues his film travelogues in “To Rome with Love,” touring The Eternal City with four separate vignettes. An all-star cast – including Jesse Eisenberg, Ellen Page, Alec Baldwin, Penélope Cruz and Woody himself – hit and miss with this varying blend of stories.
Woody Allen’s Charming ‘Midnight in Paris’ Delights
Submitted by BrianTT on May 27, 2011 - 9:01am Rating: 4.5/5.0 |
CHICAGO – Writer/director Woody Allen and the amazing cinematographer Darius Khondji (“Seven,” “The City of Lost Children”) very purposefully open their new film “Midnight in Paris” with a long series of static shots of the title city before even presenting a cast list. You see, Paris is a cast member in this film. The sun rises, people hustle and bustle through Paris, they sip coffee in cafes, the lights go on at dusk, and the city sleeps.
‘Happythankyoumoreplease’ Falls Flat With Unlikable Characters
Submitted by BrianTT on March 11, 2011 - 4:00pm Rating: 2.0/5.0 |
CHICAGO – Josh Radnor’s “Happythankyoumoreplease” wants to be a new-generation Woody Allen film but misses the mark wildly by presenting characters that aren’t likable in situations that aren’t believable. None of the relationships that drive this awkward dramedy ring true and only a few supporting performances make the effort worthwhile as they highlight the weaknesses at the core of the manipulative script.
