CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Rosie Perez
Now On VOD: 'Birds of Prey' Is No Lame Duck and Soars Beyond Expectations
Submitted by JonHC on March 26, 2020 - 7:41pm Rating: 4.5/5.0 |
CHICAGO – Comic book fatigue is real, and not just because there is an embarrassment of riches in screened content available, but because more than a few of them take the same predictable approach. That’s what sank films like “Justice League” and “Suicide Squad”, and used to threaten the future of the DC cinematic universe, but no longer. I’m happy to report that “Birds of Prey” is no lame duck.
Surprisingly Weird, Wacky ‘Puerto Ricans in Paris’
Submitted by PatrickMcD on June 12, 2016 - 11:14pm Rating: 3.5/5.0 |
CHICAGO – Occasionally, a film breaks through the miasma of images, and proclaims its uniqueness by just being weird. Case in point, the strange and wacky “Puerto Ricans in Paris,” which may have been created after two rich film producers made a one dollar bet (ala “Trading Places”) that they could come up with a movie simply based on the title.
‘Won’t Back Down’ is an Agenda Disguised as a Film
Submitted by PatrickMcD on September 28, 2012 - 3:50pm Rating: 2.0/5.0 |
CHICAGO – There is an interesting trend in the financing of films, actual partisan organizations are fostering their points-of-view through the movies. This is nothing new in documentaries, but now it appears in a fictional film called “Won’t Back Down,” featuring Maggie Gyllenhaal and Viola Davis.
God’s Vajoojoo Tastes Like Semi-Glorious ‘Pineapple Express’ in Judd Apatow, Seth Rogen Stoner Film
Submitted by HollywoodChicago.com on August 8, 2008 - 12:01am Rating: 3.5/5.0 |
CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?
Always the most difficult proposition in a comedy is maintaining its comedic pacing with consistency.
