CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
HollywoodChicago.com Arts & Entertainment News
Hookup: Pristine DVD Sets of Classic Films Up For Grabs For United Artists Film Festival in Chicago
Submitted by HollywoodChicago.com on April 2, 2008 - 12:13amCHICAGO – As our giveaways continue to grow in popularity, what we give away continues to sweeten, too. In this HollywoodChicago.com Hookup: Film, three lucky winners will be hooked up with our sweetest giveaway yet: a complete DVD set of 20 of the greatest classic films in recent memory.
Veteran Michael Caine Makes ‘Flawless’ Sparkle, Reveals Great Crime Behind Great Fortune
Submitted by HollywoodChicago.com on March 31, 2008 - 10:28pmCHICAGO – As this year of heist films set in London continues (“The Bank Job” was last month), “Flawless” does adhere to the rules of successful application of this genre.
Set in 1960, there is the fabulous treasure: the icy gems within the vault of the London Diamond Corporation. There are the greedy corporation men to stick it to once the loot is plundered.
Chicago Filmmaker Darryl Roberts to Screen ‘America the Beautiful’ at Midwest Independent Film Festival
Submitted by HollywoodChicago.com on March 30, 2008 - 4:43pmCHICAGO – Welcome to a new HollywoodChicago.com column called CineOnSceneChicago. “Cine” is a French word derived from “cinematograph,” is pronounced like its connector word “scene” and roughly means “moving picture”. Our goal is to present a moving picture of the Chicago film scene and have fun with it, too. The debut focuses on Chicago filmmaker Darryl Roberts.
Chicago’s ‘Brontë’ Masterfully Resurrects Three of Planet’s Most Examined Scribes of All Time
Submitted by HollywoodChicago.com on March 28, 2008 - 3:13amCHICAGO – Three of the planet’s most examined scribes of all time – a trio of Victorian spinsters, in fact, who are credited with some of the most passionate literature ever written – are resurrected in the meticulous Chicago production of “Brontë” from illustrious playwright Polly Teale.
Interview: Debut Film ‘Empathy’ From Israeli Filmmaker Adi Refaeli to Screen in Chicago
Submitted by HollywoodChicago.com on March 28, 2008 - 12:13amCHICAGO – Adi Refaeli, who’s currently touring the U.S. with her short film debut “Empathy,” has taken a circuitous route to the finished project. Born and raised in Tel Aviv, Israel, she spent three years in Toyko to start a family. All the while, she never let go of her interest to pursue filmmaking.
Top Five Irish Films: ‘Into the West,’ ‘Once,’ ‘The Commitments,’ ‘Bloody Sunday,’ ‘The Wind That Shakes the Barley’
Submitted by HollywoodChicago.com on March 27, 2008 - 11:06pmHOLLYWOOD – Someone once said there are two kinds of people: “Those who are Irish and those who wish they were Irish.” While mom claimed I was the first, being an American for a few generations tossed me into the “mutt” category. If there truly is Irish in me, it’s in my big toe or my ring finger, which hardly makes me the Irish lass I had hoped.
Top Chicago Theater Picks For March 27, 2008: ‘Driving Miss Daisy,’ ‘Dead Man’s Cell Phone,’ ‘Bronte’
Submitted by HollywoodChicago.com on March 26, 2008 - 10:56pmCHICAGO – Free or half-price Chicago theater and comedy tickets. No catch. Just click the link, take just a moment to make a free Goldstar account (or log into your existing Goldstar account) and you’re on your way.
Sundance Winner ‘Teeth’ Bites Right to Point of Men’s Greatest Sexual Fear
Submitted by HollywoodChicago.com on March 26, 2008 - 1:41amCHICAGO – In one of the great light bulb ideas that could only happen in association with making movies, along comes “Teeth” to bite us in the – well, to bite us hard. Writer and director Mitchell Lichtenstein has fashioned a one-of-a-kind horror epic (based, of course, on a Japanese film) that at the same time tangles with significant social and cultural issues.
Academy Award-Nominated ‘Beaufort’ Ponders Question of Why We Fight
Submitted by HollywoodChicago.com on March 25, 2008 - 10:41pmCHICAGO – History eludes us. It’s what happens when we’re busy making other plans. In his new film “Beaufort,” director Joseph Cedar turns his lens toward the history and misery of a Mideastern soldier’s outpost eight years ago that was both defended and attacked while highlighting the human element that has to endure when protecting the territory of warfare.
Hookup: 10 Advance-Screening Passes to New Uwe Boll Comedy ‘Postal’ on April 3, 2008 in Chicago
Submitted by HollywoodChicago.com on March 25, 2008 - 2:35amCHICAGO – Following our sold-out ticket giveaway to the upcoming Ellen Page comedy “Smart People,” HollywoodChicago.com now announces another ticket giveaway to the advance screening of the new Uwe Boll comedy “Postal”. The film, which opens on May 23, 2008, will show to downtown Chicagoans at a screening on April 3, 2008 at 7:30 p.m.
‘Ceres’ a High-Octane Probe Into Chicago’s Slippery Investment Banker Slope
Submitted by HollywoodChicago.com on March 25, 2008 - 1:35amCHICAGO – Tucked surreptitiously at the way-way-way-off-Loop location of the Prop Thtr – Chicago’s oldest-surviving non-equity theater in the area – the signature that is “Ceres” is its high-octane energy. The cast act in harmony much in the same way as the “X-Men” character Juggernaut: once their momentum is synthesized, it can’t be stopped.
Brazillian Indie ‘The Year My Parents Went on Vacation’ a Tender Window to the World
Submitted by HollywoodChicago.com on March 23, 2008 - 10:44pmCHICAGO – Film is often at its best when it offers a “window to the world” about other cultures dealing with issues that life in the U.S. never imagines. “The Year My Parents Went on Vacation” is a meticulous, fascinating and tender story of Brazil in 1970 when revolution was in the air and the World Cup was the hope of bringing a country back together.
‘Snow Angels’ an Essential Examination of Yin, Yang in Our Vulnerable Lives
Submitted by HollywoodChicago.com on March 22, 2008 - 5:56pmCHICAGO – Staying sane is truly an edge-of-the-knife proposition. We are all the sum of our past environments, our present circumstances and our future worries. The sludge that is generated by such a mixture becomes the psyche that’s ready to interact with other psyches we deem important or are forced to be around through family or commerce.
