CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
1970s
Film Review: 1970s Caper Film in Enjoyable ‘Finding Steve McQueen’
Submitted by PatrickMcD on March 15, 2019 - 2:08pmCHICAGO – The “caper” film, AKA the heist film, is one of the old reliable genres in the movies, and usually involves a gang of mismatched thieves. “Finding Steve McQueen” goes all the way back to the 1970s to spotlight a based-on-truth burglary that involves Tricky Dick himself, President Richard M. Nixon.
Film Review: ‘Roma’ is a Celebration of Human Courage & Spirit
Submitted by PatrickMcD on December 6, 2018 - 12:46pmCHICAGO – In one of the most arresting and beautiful films of the year, writer/director Alfonso Cuarón transports us back to 1970s Mexico City, to his childhood and his appreciation of memory. He also creates a human story around all the nostalgia, that all takes place in the neighborhood of “Roma.”
Podtalk: Filmmaker Amy Scott Revitalizes Director Hal Ashby in Her New Documentary ‘Hal’
Submitted by PatrickMcD on November 8, 2018 - 1:47pmCHICAGO – The name Hal Ashby might not be as familiar to today’s film watchers, but the movies he made in the 1970s are considered classics… like “Harold and Maude,” “The Last Detail,” “Shampoo,” “Coming Home” and “Being There.” The short spark of his creative energy is profiled in a documentary by Amy Scott simply called “Hal.” The film opens at the Gene Siskel Film Center on November 9th, 2018. For details and ticket info, click here.
Film Review: ‘BlackKkKlansman’ is a Spike Lee Joint That Burns
Submitted by PatrickMcD on August 10, 2018 - 10:57amCHICAGO – Director Spike Lee has hit the motherlode in good timing of the kind that says “Everything Old is New Again.” His overview in the true story of a black man that went undercover within the Klu Klux Klan in the 1970s nicely mirrors our current president’s divisiveness in the incendiary “BlacKkKlansman.”
Film Review: ‘All the Money in the World’ Has a Soft Landing
Submitted by PatrickMcD on December 21, 2017 - 1:57pmCHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.
Film Review: Energy of Visual Cinema is the Power of ‘Wonderstruck’
Submitted by PatrickMcD on October 31, 2017 - 11:06amCHICAGO – In one of the coolest visual films of the Fall Season thus far, “Wonderstruck” is another winner from director Todd Haynes (“Carol”), who adapts a Young Adult graphic novel by Brian Selznick (who also wrote the screenplay). The wonder of it all, baby.
Film Review: Tom Cruise in ‘American Made’ Never Gets Off the Ground
Submitted by PatrickMcD on September 29, 2017 - 10:27amCHICAGO – Tom Cruise was once a Top Gun, but his newest film “American Made” never really takes off. It wants to be a truth-is-stranger-than-fiction kind of satire where commercial airline pilot Barry Seal (Tom Cruise) winds up getting involved in the Iran Contra Affair and the Medellín drug cartel, but it never creates an enthralling place or story.
Interview, Audio: Cindy Caponera, TV Writer for ‘I’m Dying Up Here’
Submitted by PatrickMcD on July 23, 2017 - 7:56am- 1970s
- Al Madrigal
- Ari Graynor
- Cindy Caponera
- David Flebotte
- Erik Griffith
- Girls Are Funny Too
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- Theater, TV, DVD & Blu-Ray
CHICAGO – One of the great new premium channel TV series, which piggybacked on the “Twin Peaks” return on the Showtime Network, is “I’m Dying Up Here.” Set in the 1970s, it tells the stories of fictional stand up comedians in Los Angeles, and one of the Consulting Producers and series writers is Cindy Caponera.
Film Review: 'Free Fire' Knows That Happiness is a Warm Gun
Submitted by PatrickMcD on April 26, 2017 - 2:29pmCHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.
Interview: Director Ben Wheatley Ignites His New Film ‘Free Fire’
Submitted by PatrickMcD on April 18, 2017 - 8:53amCHICAGO – One of the more lovely examples of pure cinema – if that description can be given to a film with nearly constant gunplay – is in the upcoming release of “Free Fire.” Director Ben Wheatley (“High-Rise”) constructs a dark and funny scenario within one room, and fills it with symbolism and homage to other movies.