CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
Film Review: Shattering Power of True Story of ‘The Impossible’
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CHICAGO – Juan Antonio Bayona’s “The Impossible” captures what its title implies. It transports us to an unimaginable situation, into an absolute nightmare in which air is replaced by rushing water, families are ripped apart, and people’s lives hang in the balance. It is a remarkable achievement in filmmaking, a film that is at times devastating, at times emotional, at times inspirational, and always riveting. It’s one of the best films of 2012.
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This true story is of a privileged family who uses their wealth to go to one of the most gorgeous vacation spots in the world for Christmas. They enjoy the lush scenery, open gifts on the veranda of their four-figure-a-night room, and play on the beach. Henry (Ewan McGregor) is the nervous type, the kind who worries repeatedly on the plane that he didn’t lock the front door. Maria (Naomi Watts) is stronger but has more practical fears when turbulence hits the plane on their way to paradise. Lucas (Tom Holland) is their oldest son and their strongest while Thomas (Samuel Joslin) and Simon (Oaklee Pendergast) are more fragile. Everything is progressing normally until the earth cracks and sends a wall of water hurtling towards thousands of innocent lives.
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The tsunami itself is one of the most remarkable technical accomplishments on celluloid in years. It is a masterful cacophony of water, noise, and abject terror as Maria sees Lucas across yards of rushing water. They are somehow kept together through the horror but separated from Henry and the other two boys. Maria is also very badly hurt. While she lies in a makeshift hospital hoping to cling to life for the sake of her son, Lucas helps others injured or separated from loved ones. Meanwhile, Henry doesn’t give up hope that the impossible could be true – his wife and eldest son may still be alive.
Like so many great films, “The Impossible” is not an average story of an average family destroyed by natural tragedy and most of the criticisms of the film seem to have missed the title. This is a story of a miracle. This is a story of a family who was both privileged and remarkably, incredibly, ridiculously lucky. Bayona and his writer Sergio G. Sanchez (who also wrote Bayona’s “The Orphanage”) never miss that fact. There are lessons to be taken away about the importance of humanity in the midst of horror – we’d all love to think that our sons will be as giving and compassionate as Lucas is to complete strangers – but Maria and Henry aren’t saved because they’re skilled, special, or of a certain race (a claim that has been blindly leveled at the film in ways that make me think some people saw a different movie). They’re saved because they refuse to give up emotionally but also because they’re simply lucky to be missed by the flying cars and other debris that took so many lives.
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The Impossible
Photo credit: Summiit Pictures