CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Kate Winslet, Ralph Fiennes Make ‘The Reader’ a Worthwhile Adaptation
CHICAGO – Two of the best actors working in film today, Ralph Fiennes and Kate Winslet, offer enough to make “The Reader” a cinematic book worth reading, even if it’s not the masterpiece it could have been with a few different choices by its director and writer.
Rating: 3.5/5.0 |
“The Reader” is a surprisingly ineffective film when approached on an emotional level, as if director Stephen Daldry and adapter David Hare are very consciously trying to keep the viewer at arms length, but Fiennes and Winslet are doing such quality work that it merits recommendation just as an acting exercise. Just as the great work by Michael Sheen and Frank Langella elevate “Frost/Nixon” to a recommendation despite the film’s flaws, “The Reader” could have been a better film but its two leads are perfect.
Read Brian Tallerico’s full review of “The Reader” in our reviews section. |
Part of the problem with “The Reader” is that its lead character, Michael Berg (David Kross) is such a non-entity. The adult Michael is played by Fiennes, but the majority of the film is a flashback to Berg’s teenage years in post-WWII Germany. When he was only fifteen, Michael met the stunningly open Hanna, who introduced him to the world of sex. Hanna and Michael would spend days bathing each other, making love, and the young man would read to the illiterate older woman.
Michael reads “The Odyssey”, “The Lady with the Little Dog”, and “Huck Finn” to his lover, until she disappears one day with no warning. Years later, while in law school, Michael sits in on a Nazi trial and discovers that Hanna had a dark, dark secret. Michael knows something about Hanna’s past that could affect the trial, but he stays quiet. “The Reader” is about how we deal with defining moments in our lives, both individually and as a nation.