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Film Review: An Age Range of Human Conditions in ‘While We’re Young’

While We're Young

CHICAGO – We’re born, we’re nurtured, we seek purpose and we die. In between there are a million decisions between the words of that opening sentence, and writer/director Noah Baumbach understands that intuitively in his great new film, “While We’re Young.”

Interview: Director Noah Baumbach on Timing in ‘While We’re Young’

CHICAGO – Director Noah Baumbach is a master in creating cinematic atmosphere. Whether it’s the adolescent mood of “The Squid and the Whale,” the weird loneliness of “Frances Ha” or his screenplays with director Wes Anderson, Baumbach generates a worthy emotional imprint. His latest film is “While We’re Young.”

Film Review: Jessica Chastain, Oscar Isaac Endure ‘A Most Violent Year’

A Most Violent Year

CHICAGO – The effect of violence, centering on the roughest statistical year for it (1981) in New York City history, becomes a flashpoint for the way business has always been done. If someone isn’t intimidating their competitor with lawyers or shady marketing practices, a few hired goons can do the trick. Oscar Isaac takes the beating, both real and metaphorical, in writer/director J.C. Chandor’s “A Most Violent Year.”

Film Review: ‘Laggies’ Lags Behind With Connect-the-Dots Story

CHICAGO – Apparently “Laggies” is a term which does mean one is “lagging behind” in the growing-up-to-be-an-adult requirement. The term is the title of a new comedy, which places the main character in a high concept situation, which only resides in the parallel universe of movieland.

Film Review: Don’t Say That You Love Me in Kevin Smith’s ‘Tusk’

Tusk

CHICAGO – The headline is a quote (“Don’t say that you love me!”) from Fleetwood Mac’s song “Tusk,” which Kevin Smith gratefully includes in his film of the same name. The movie is either the most outrageous audacity of the year or a blatant middle finger from Smith to the audience. You decide.

Film Review: ‘Obvious Child’ is a More Authentic Romantic Comedy

CHICAGO – Real life is not a romantic comedy, unless you’re willing to understand the levels of clownish tragedy that sometimes accompanies it. The new film “Obvious Child” comprehends all that, and has an unforgettable performance from Jenny Slate in delivering the goods.

Interview: Jenny Slate, Director Gillian Robespierre of ‘Obvious Child’

CHICAGO – An authentic voice in the film category of “romantic comedy” has emerged, and it is represented by lead actress Jenny Slate (“Saturday Night Live”) and writer/director Gillian Robespierre. One night stands, its consequences and yes, love is explored in the excellent new rom-com “Obvious Child.”

HollywoodChicago.com Hookup: 40 Pairs of Passes to SXSW Hit ‘Obvious Child’ With Jenny Slate

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new SXSW, Sundance Film Festival and Chicago Critics Film Festival hit “Obvious Child” featuring a star-making performance from Jenny Slate!

Film Review: Tom Hardy’s Mesmerizing ‘Locke’ Makes You Question Who You Are

CHICAGO – It’s impossible to simply play spectator through the forward-moving experimental indie “Locke” without analyzing your own past. And only a zombie could sit through this one-man film without questioning what choices you’d make in Tom Hardy’s shoes.

Interview: Director Steven Knight Clicks on ‘Locke’

CHICAGO – Driving all night has taken on a different reality, with the invention of the mobile phone. There is no sanctuary within the confines of the automobile, which is now a rolling office or coordination tank. Writer/director Steven Knight portrays this new reality in a fascinating and unique new film called “Locke.”

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  • Emily in Paris

    CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.

  • Charlie Hustle & the Matter of Pete Rose

    CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the doc series “Charlie Hustle & the Matter of Pete Rose,” about the rise and bitter fall of the major league legend, the MLB’s all-time hits leader, only to be banned from the sport because of gambling. Streaming on MAX and on HBO since July 24th.

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