Frances Ha

CHICAGO – One of the most fulfilled movies of 2017 was the sublime “Lady Bird,” the major film debut of actor Greta Gerwig. Nimbly shooting her own script, the achingly honest story about a teenager (portrayed essentially by Saiorse Ronan) going through her Senior Year of high school in Sacramento, California, was a breakout film of the year, and was nominated for Best Picture, as well as Best Actress for Ronan, Best Supporting Actress for Laurie Metcalfe (as the Ronan character’s mother) and Best Original Screenplay/Best Director for Greta Gerwig.

CHICAGO – We’re born, we’re nurtured, we seek purpose and we die. In between there are a million decisions between the words of that opening sentence, and writer/director Noah Baumbach understands that intuitively in his great new film, “While We’re Young.”

CHICAGO – Director Noah Baumbach is a master in creating cinematic atmosphere. Whether it’s the adolescent mood of “The Squid and the Whale,” the weird loneliness of “Frances Ha” or his screenplays with director Wes Anderson, Baumbach generates a worthy emotional imprint. His latest film is “While We’re Young.”

As there are upwards of 6,000 members in the Academy of Motion Picture Arts & Sciences, I simply do not have the time or wherewithal to graffiti on everyone’s house “Robert Redford?” However, I can at least make a post on the internet calling out those they have snubbed; exposing where their collective categorizing as a majority of old white males went wrong.