CHICAGO – There is no better time to take in a stage play that is based in U.S. history, depicting the battle between fact and religion. The old theater chestnut – first mounted in 1955 – is “Inherit the Wind,” now at the Goodman Theatre, completing it’s short run through October 20th. For tickets and more information, click INHERIT.
Enter the Void
Blu-Ray Review: Only Daring Should Apply to ‘Enter the Void’
Submitted by BrianTT on February 10, 2011 - 6:02pmCHICAGO – Gaspar Noe’s “Enter the Void” is one hell of a trip. Unapologetically inspired by experiences with hallucinogens, the film is such a unique, bizarre, and memorable experience that one has to recommend it simply for its audacity. You’ve never seen anything quite like “Enter the Void” outside of anime. The uncut version released on Blu-ray is too bloated, running nearly three hours, but there’s so much to like here that the film’s flaws can be forgiven.
Film Feature: The Top Overlooked Films of 2010
Submitted by BrianTT on December 28, 2010 - 10:55amCHICAGO – Some films never get a fair shot with audiences. They open in a handful of art house theaters scattered throughout the country before inconspicuously landing on DVD.
Film Review: ‘Enter the Void’ Takes Viewers on the Next Ultimate Trip
Submitted by mattmovieman on September 24, 2010 - 8:34amCHICAGO – “Dying would be the ultimate trip.” This line is uttered early on in “Enter the Void,” the extraordinary new film from Gaspar Noé, a director who enjoys referencing his previous work almost as much as his hero, Stanley Kubrick. This line pays subtle homage to the “2001: A Space Odyssey” poster prominently framed toward the end of Noé’s previous film, “Irreversible.”
Interview: French Filmmaker Gaspar Noé Dares to ‘Enter the Void’
Submitted by BrianTT on September 22, 2010 - 8:42amCHICAGO – Few films have conveyed the sensation of an out-of-body experience quite like “Enter the Void,” the latest feature from French filmmaker Gaspar Noé, who continues to be one of the most controversial and innovative filmmakers in modern cinema.