CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Let Me In
Interview: Chloe Grace Moretz Takes on Iconic Role of ‘Carrie’
Submitted by BrianTT on October 16, 2013 - 3:54pmChloe Grace Moretz is only 16 and already has 50 credits to her name, including “(500) Days of Summer,” “Kick-Ass,” and “Let Me In.” She filmed “The Amityville Horror” remake on the North side of the city when she was only 5 and returned this week to talk about starring in her first lead role, the title part in Kimberly Peirce’s remake of the Stephen King classic, “Carrie.”
Blu-Ray Review: Great Horror Movie ‘Let Me In’ Gets Special-Edition Treatment
Submitted by BrianTT on February 2, 2011 - 5:39pmCHICAGO – Matt Reeves’ “Let Me In” was one of the most divisive choices on my ten best of 2010. I stand by it in every way, especially after checking out the great Blu-ray from Overture and Anchor Bay. With a spectacular HD transfer and some great special features, this is the best horror release of a season packed with them as the Halloween 2010 films start to hit the home format.
Film Feature: The Top Overlooked Films of 2010
Submitted by BrianTT on December 28, 2010 - 10:55amCHICAGO – Some films never get a fair shot with audiences. They open in a handful of art house theaters scattered throughout the country before inconspicuously landing on DVD.
Film Feature: The 10 Best Films of 2010
Submitted by BrianTT on December 20, 2010 - 9:29amCHICAGO – When we look back on this past year in cinema, what will we remember? Ironically, a year after “Avatar” was supposed to change the movie paradigm forever, it’s the human faces that I most vividly remember from 2010.
Film Review: Harrowing ‘Let Me In’ Stands Tall Next to Original
Submitted by BrianTT on October 1, 2010 - 8:40amCHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.