Ernst Lubitsch

CHICAGO – We like to think that creative progress has led to a more open-minded era of today than decades ago but the fact is that I really don’t think a major studio with major actors would make a film today that felt as honestly dangerous as Ernst Lubitsch’s “To Be or Not To Be” did when it was released. A dangerous Jack Benny comedy? You bet.

CHICAGO – From the very first scene, a first-silent exchange in which a beautiful woman enters a train car to see two handsome men sleeping across from her and chooses to draw them on her sketch pad before falling asleep and waking up to flirt with both of them outright, “Design For Living” is a romantic comedy masterpiece. I’m stunned to admit that I had never seen the Ernst Lubitsch risque joy but now I consider it one of my favorite Criterion editions. The movie is laugh-out-loud funny with three stars at the peak of their skills — charming, engaging, enjoyable. I’ve been doing this long enough that it’s increasingly rare to see a classic film for the first time that floors me like “Design For Living.” It’s stellar.

CHICAGO – Character comedies that actually have some depth and fun are as rare as boobs without silicone in Hollywood. “Miss Pettigrew Lives For a Day” reaches these heights with a sensibility of an old studio picture with stylized glamour, lovable rogues and at the center the great Frances McDormand as the title character taking a chance in 24 sparkling and event-filled hours.