Finance

Interview: Author Lorraine Evanoff on Her New Novel ‘Devil’s Ledger’

CHICAGO – The Devil is in the Details. The old adage, which primarily describes accounting, is the basis for author Lorraine Evanoff’s third novel in her Louise Moscow Spy Thriller series, “Devil’s Ledger.” This time, her intrepid financial sleuth Louise Moscow investigates the failure of the world’s oldest bank … a mystery that may also contain the key to a hidden treasure.

Podtalk: Writer/Director Sean Durkin Feathers ‘The Nest’

CHICAGO – His first film in 2011 was classic independent cinema. “Martha Marcy May Marlene” put writer/director Sean Durkin on the map, and now nine years later he has a new film, “The Nest,” which features Jude Law against type as a go-go 1980s financial guru who is trying to balance a career and family. The film releases in theaters on September 18th.

Interview: Author Lorraine Evanoff, a Three-Part Conversation

CHICAGO – At the point HollywoodChicago.com last talked to author Lorraine Evanoff, it was during the summer reading season, during the time her latest novel “Pinot Noir” – the second novel featuring financial sleuth Louise Moscow – was winning awards and appearing on best seller lists.

Interview: Author Lorraine Evanoff, on Career & New Book ‘Pinot Noir’

CHICAGO – It’s no mystery that author Lorraine Evanoff – who just released her second “Louise Moscow Novel,” entitled “Pinot Noir” – loves the genre of intrigue, for her life has mirrored the adventures of her fictional super spy character. Where Louise Moscow begins is where Lorraine Evanoff has been.

Film Review: ‘Equity’ Tells a Story of Women in High Finance

CHICAGO – The key moment in “Equity” is early in the film. The main character was asked at a seminar why she got into high level finance. She paused for a second, and said “money.” The gals can be just as greedy as the guys, and their stakes in that greed can be just as exploitable.

Film Review: ‘Demolition’ Describes the Way They Treated the Story

CHICAGO – The attempt to make a European-style “journey of emotional morality” between four characters in New York City kept getting flatter and flatter as the tale emerged. It’s amusing that they called it “Demolition,” because as cinema, it’s basically a teardown.

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