Sarah Paulson

CHICAGO – His first film in 2011 was classic independent cinema. “Martha Marcy May Marlene” put writer/director Sean Durkin on the map, and now nine years later he has a new film, “The Nest,” which features Jude Law against type as a go-go 1980s financial guru who is trying to balance a career and family. The film releases in theaters on September 18th.

CHICAGO – The changing view on yetis goes to show just how different my childhood was from kids growing up today. Back in my day, yeti’s were elusive creatures meant to be feared, much like Big Foot or Loch Ness. Films like “Smallfoot” and “Abominable” are paving the way towards acceptance were we ever to encounter a yeti, but the latter is more of a step back than forwards.

CHICAGO – Maybe inside filmmaker M. Night Shyamalan’s head, his latest film “Glass” works… all the elements of what we need to know about this sequel to MNS’s previous films “Split” and “Unbreakable” are within. However, what works inside the director’s head may not work for the audience, especially in the first half of the film.

CHICAGO – In “Ocean’s 8,” a diamond necklace at the Met Gala isn’t the only thing getting ripped off. This all female knock off provides a reasonable facsimile of a facsimile of the original’s suave swagger, but doesn’t have anything else to go on. “Oceans 11” is a movie that never should have gotten a sequel, much less become some kind of a franchise.

CHICAGO – One of the best films of 2015 is the atmospheric and kinetically performed “Carol.” The film, set in the early 1950s, depicts a love that dares not speak its name, and also showcases the breathtaking presence of actress Cate Blanchett as the title character. The director of the film is the veteran Todd Haynes, known for another set-in-the-1950s classic, “Far from Heaven,” as well as “Velvet Goldmine,” “I’m Not There” and the recent HBO miniseries “Mildred Pierce.”

CHICAGO – A man is chained to the floor in a dark, barren room. He has been ripped from his family and his freedom, and we watch as he’s whipped with amazing brutality. It goes on well past the point that most films with similar human suffering would have cut to a less stressful image.

CHICAGO – Take this with a giant grain of salt but FX’s “American Horror Story: Coven” shows incredible promise in its premiere episode tonight, setting a number of creative plates spinning in directions that could be fascinating. Why the salt? Well, “American Horror Story: Asylum” started with similar promise and quickly became cluttered and unfocused.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the highly anticipated “Mud” with Matthew McConaughey!

CHICAGO – When we got to the end of FX’s excellent “American Horror Story” and nearly all of the characters were dead, a natural question arose — what the Hell do they do for season two? Welcome to “American Horror Story: Asylum,” a completely new tale with some of the same ensemble from the first season but a new setting, new characters, and new story but the same goal — to rattle your senses and put you on edge in the middle of the week.

CHICAGO – You may be surprised by the angle taken by HBO’s controversial “Game Change,” a film already being summarily dismissed by conservative pundits who probably haven’t even seen the piece and merely assume that it’s another liberal Hollywood hatchet job. It’s not that at all.