Warner Bros

CHICAGO – Everything has ‘potential’ and in examining that you reveal a little bit about yourself. Seeing the ‘potential’ in something is inherently an exercise in optimism because you take what you see and understand that it could do or be better. Criticism is also a key component when it comes to discussing ‘potential’ because without a critical eye you can’t see beyond what is to see what could be.

When I used to have cable television (when I lived with my parents and they paid for it), there was this section of one hundred or so music channels, each with a different music style to explore. I remember stumbling across it one day when I was younger, in complete awe that there was even that variety of music in the world.

CHICAGO – The Conjuring: The Devil Made Me Do It is our third official, not-counting-the-spinoffs foray into the “based on true events” shenanigans of Ed and Lorraine Warren, and it’s starting to show. If you’re a tea drinker and equally as frugal as I am, you have reused a tea bag to make a second (sometimes even a third) cup of tea.

CHICAGO – There are over 500 episodes of “Law and Order” but I’m not about to embarrass myself publicly by revealing just how many of those I’ve seen; let’s leave it at “a lot.” In the age of binge television, I know I’m not the only one that has taken a deep dive into the show and other long-running shows like it, but I know we can all agree why we continue watching them: they keep things fresh. Like any television series that has aspirations of longevity, they can’t stay the same over time, especially when it comes to detective procedurals. The Little Things pays homage to everything we love from an old-fashioned detective procedural but aside from being socially tone-deaf, it also has the misfortune of doing it a couple decades too late.

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 24th, 2020, reviewing the new film “Wonder Woman 1984,” in select theaters and streaming on HBO MAX on December 25th, 2020.

CHICAGO – Comic book fatigue is real, and not just because there is an embarrassment of riches in screened content but because more than a few of them take the predictable approach. That’s what sank films like “Justice League” and “Suicide Squad”, and used to threaten the future of the DC cinematic universe, but no longer. I’m happy to report that “Birds of Prey” is no lame duck.

CHICAGO – It’s the ladies turn to harken back to the badass 1970s, more precisely 1977 in Hell’s Kitchen neighborhood of New York City. In an adaptation of a DC Vertigo comic series, “The Kitchen” features Melissa McCarthy, Tiffany Haddish and Elisabeth Moss finding their destiny in taking over mobster duties.

CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail.

CHICAGO – In “Ocean’s 8,” a diamond necklace at the Met Gala isn’t the only thing getting ripped off. This all female knock off provides a reasonable facsimile of a facsimile of the original’s suave swagger, but doesn’t have anything else to go on. “Oceans 11” is a movie that never should have gotten a sequel, much less become some kind of a franchise.

CHICAGO – Melissa McCarthy is a comedic force to be reckoned with, able to wring laughs improbably out of the stingiest of material. She always manages to find the funny, which helps elevate everyone around her, and so she slips easily in the durable friendly constructs of the campus comedy in “Life Of The Party.”