CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
Gaby Hoffmann
HollywoodChicago.com Hookup: 40 Pairs of Passes to SXSW Hit ‘Obvious Child’ With Jenny Slate
Submitted by HollywoodChicago.com on June 4, 2014 - 3:18pm- A24
- Adam Fendelman
- Chicago Critics Film Festival
- Cindy Cheung
- David Cross
- Gabe Liedman
- Gaby Hoffmann
- Gillian Robespierre
- HollywoodChicago.com Content
- HollywoodChicago.com Hookup: Film
- Jake Lacy
- Jenny Slate
- Karen Maine
- Obvious Child
- Paul Briganti
- Polly Draper
- Richard Kind
- Stephen Singer
- Sundance Film Festival
- SXSW
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new SXSW, Sundance Film Festival and Chicago Critics Film Festival hit “Obvious Child” featuring a star-making performance from Jenny Slate!
Blu-ray Review: Fan Service ‘Veronica Mars’ Returns Home
Submitted by NickHC on May 14, 2014 - 9:05amCHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.
Film Review: ‘Veronica Mars’ Wishes it Was Still on TV
Submitted by PatrickMcD on March 14, 2014 - 9:06amCHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.
Film Review: Michael Cera, Gaby Hoffmann Anchor ‘Crystal Fairy’
Submitted by mattmovieman on July 19, 2013 - 8:26amCHICAGO – It’s a sad day in modern American distribution when a film as highly praised and perversely intriguing as Sebastián Silva’s “Magic Magic” fails to acquire a theatrical release. The very notion of a Sundance darling co-lensed by Christopher Doyle getting unceremoniously dumped on DVD is too maddening to contemplate. At a time when Disney labels a formulaic misfire like “The Lone Ranger” as a “risk,” it’s depressing to see a company like Sony Pictures follow suit.
Interview: Sebastián Silva Reveals New Side of Michael Cera in ‘Crystal Fairy’
Submitted by mattmovieman on July 15, 2013 - 8:10amCHICAGO – 12 years ago, Sebastián Silva went on a road trip with his friends. Their goal was to experience the hallucinogenic ecstasy of the San Pedro cactus. Along the way, he encountered a hippie named Crystal Fairy who ended up giving him a more transformative experience than any drug ever could. An evening of soul-bearing confessions caused Silva to have great compassion for the damaged women beneath the eccentric surface.
DVD Review: ‘Nate and Margaret’ Marks Superb Debut of Director Nathan Adloff
Submitted by mattmovieman on August 31, 2012 - 8:11amCHICAGO – Nothing forms the basis of a friendship quite like a shared understanding. When the hearts and minds of two people are compatible. everything else falls into place. It doesn’t matter if one happens to be a 52-year-old woman and the other is a 19-year-old man. That’s one of the simple truths that “Nate & Margaret” illuminates without drawing too much attention to it.
Interview: ‘Nate and Margaret’ Star Gaby Hoffmann on Acting, ‘Girls,’ Chicago
Submitted by mattmovieman on August 21, 2012 - 11:39amCHICAGO – Few performers are lucky enough to make their big-screen debut in a hit movie, let alone two. In 1989, 7-year-old Gaby Hoffmann starred opposite John Candy and Macaulay Culkin in John Hughes’ “Uncle Buck,” as well as shared the screen with Kevin Costner and Burt Lancaster in Phil Alden Robinson’s Oscar-nominee “Field of Dreams.” Not a bad way to start a career.
Film News: ‘Nate and Margaret’ Makes Chicago Debut at Gene Siskel Film Center on June 8, 2012
Submitted by mattmovieman on June 4, 2012 - 7:26amCHICAGO – One of Nathan Adloff’s goals as a filmmaker is mastering the art of the awkward silence. That moment when audiences shift uneasily in their chairs, balancing on the razor’s edge between amusement and agony, appeals greatly to Adloff, a self-professed fan of Christopher Guest and Todd Solondz.