CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Grant Heslov
Film Review: ‘Suburbicon’ is the Cinematic Equivalent of a Soccer Mom
Submitted by JonHC on October 27, 2017 - 2:25pmCHICAGO – Having lived in both the suburbs and in major cities throughout my lifetime, I can say without hesitation that the suburbs tend to be dull, boring and bereft of creativity. To be fair, it’s not their fault since they’re built for efficiency and with placidity in mind. “Surburbicon” is made in much the same way, becoming the one thing a film shouldn’t be: boring.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Suburbicon’ With Matt Damon, Julianne Moore
Submitted by HollywoodChicago.com on October 19, 2017 - 4:20pmCHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated new crime mystery “Suburbicon” starring Matt Damon and Julianne Moore!
Film Review: ‘The Monuments Men’ Has Been Drained of Personality
Submitted by BrianTT on February 6, 2014 - 10:12amGeorge Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.
Blu-Ray Review: Satire in ‘The Men Who Stare at Goats’ Falls Painfully Flat
Submitted by mattmovieman on March 26, 2010 - 3:10pmCHICAGO – What a disappointment. You’d think with a cast this great and a premise this outlandish that this film simply couldn’t lose. And yet, the best things about “The Men Who Stare at Goats” are its title, its poster and its trailer that gives away nearly all of the biggest laughs. The actual film is a charmless slog that doesn’t take itself nearly as seriously as it should.