Bill Murray

CHICAGO – One of the prime Chicago-centric documentaries at the 56th Chicago International Film Festival is “For Madmen Only: Stories of Del Close.” Del Close was a legendary instructor in the Chicago comedy improv scene, and director Heather Ross created this multi-layered doc of his comic force.

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 1st, 2020, reviewing the new films On the Rocks” (In select theaters October 2nd and on AppleTV+ starting October 23rd.) and “A Call to Spy” (In theaters & Video-On-Demand).

CHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.

CHICAGO – It’s always something, as the great Gilda Radner often said (through her character Roseanne Roseannadanna), and the documentary “Love, Gilda” is about all her somethings… her childhood, the early comedy days, the rise through “Saturday Night Live” and her succumbing to the dread disease of cancer. She had it all, did it all, but as always “it” could not save her, and eventually us.

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

CHICAGO – While Disney Studios’ new live action version of “The Jungle Book” is an improvement over the 1967 animated version, it’s more of a technical marvel than magical fable. And it’s unable to completely transcend the earlier version’s limitations.

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

CHICAGO – Before the days of 24/7 internet access to every form of entertainment that exists, there were eras of radical performance expression that changed the landscape of attitudes toward everything – think of The Beatles evolving music and also changing social culture. The roots of another evolution, especially in comedy, began with a modest humor magazine that brought together the right mix of anarchists and misfits. What they did would influence comedy for years afterward, and their story is told in “Drunk Stoned Brilliant Dead: The Story of National Lampoon,” directed by Douglas Tirola.

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.