CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Jim Jarmusch
Film Review: 'The Dead Don't Die' Offers Full-On Horror Homage But Little Else
Submitted by JonHC on June 18, 2019 - 6:46pmCHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.
Film Review: Gravity of Poetic Dreams Carry Weight in ‘Paterson’
Submitted by PatrickMcD on January 20, 2017 - 11:12amCHICAGO – What is more ordinary than a man alone with his thoughts, and then applying those thoughts to paper in the form of poetry? “Paterson” is a celebration of such ritual, and other dreams in the working class. It never panders, it never makes the “hero” that heroic, but it does challenge him in an ordinary sense, to work it out as meaningful poetics.
Blu-ray Review: Criterion Edition of Jim Jarmusch’s ‘Down by Law’
Submitted by BrianTT on July 29, 2012 - 11:51amCHICAGO – The Criterion Collection continues their pattern of releasing a few new titles on Blu-ray every month while also upgrading some of their catalog releases to the HD format. One of the latter for July is #166 in the legendary collection, Jim Jarmusch’s spectacular “Down by Law.” The film has no new special features but what was available on its initial release is pretty spectacular and the HD transfer is an expected beauty,
DVD Review: ‘The Limits of Control’ Sinks Under Weight of Pretension
Submitted by BrianTT on December 3, 2009 - 5:44pmCHICAGO – Jim Jarmusch’s latest film experiment “The Limits of Control” is another example of a once-intriguing filmmaker becoming bogged down by his own self-aware style, delivering easily the worst film of one of the most important careers in the history of independent film. Jarmusch changed indie cinema in the ’80s. Now, he doesn’t even seem interested in his own films.
TV Review: ‘Bored to Death’ Has Title More Truthful Than Ironic
Submitted by BrianTT on September 20, 2009 - 2:13pmCHICAGO – Maybe it’s an ironic, surreal joke but the most common thought that I kept having during the first three episodes of “Bored to Death” was, well, “bored”.
Following ‘Broken Flowers,’ Director Jim Jarmusch to Helm ‘The Limits of Control’
Submitted by HollywoodChicago.com on October 31, 2007 - 8:02pm Focus Features on Wednesday announced that it has acquired worldwide rights to independent filmmaker Jim Jarmusch’s new film, which is tentatively titled “The Limits of Control”.
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