CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
Isaach de Bankole
Film Review: ‘The Last Witch Hunter’ at Least is Hilariously Awful
Submitted by PatrickMcD on October 23, 2015 - 9:35amCHICAGO – You will see many many better movies this year, but you’re unlikely to see one quite this batshit crazy. I’ll give Vin Diesel this much credit, at least he’s created a memorably awful blockbuster instead of one that simply fades off into the moonlight.
Blu-Ray Review: Claire Denis’ ‘White Material’ Creates Nightmarish Imagery
Submitted by mattmovieman on April 26, 2011 - 1:39pmCHICAGO – Africa has routinely played a major role in the work of Claire Denis, a French writer/director deservedly hailed as one of the greatest living filmmakers. Her upbringing in colonial Africa certainly proved to be an influence on her 1988 directorial debut, “Chocolat,” as well as 1999’s equally evocative “Beau travail.” Both films centered on protagonists re-connecting with their deep-seated memories of life on the continent.
Film Review: Isabelle Huppert Gives Daring Performance in Excellent ‘White Material’
Submitted by BrianTT on November 19, 2010 - 2:07pmRating: 4.0/5.0 |
CHICAGO – Can dedication overcome all odds? Film has taught us for years that it is the truly justified, righteous, and committed that will prevail. Of course, life is not that simple. And the films of the masterful French director Claire Denis often brilliantly portray the true complexity of life. Her newest film, “White Material,” completes an amazing 2010 one-two punch with the excellent “35 Shots of Rum” released earlier this year. She’s one of our best international filmmakers.
DVD Review: ‘The Limits of Control’ Sinks Under Weight of Pretension
Submitted by BrianTT on December 3, 2009 - 4:44pmCHICAGO – Jim Jarmusch’s latest film experiment “The Limits of Control” is another example of a once-intriguing filmmaker becoming bogged down by his own self-aware style, delivering easily the worst film of one of the most important careers in the history of independent film. Jarmusch changed indie cinema in the ’80s. Now, he doesn’t even seem interested in his own films.