Mike Myers

CHICAGO – One of the prime Chicago-centric documentaries at the 56th Chicago International Film Festival is “For Madmen Only: Stories of Del Close.” Del Close was a legendary instructor in the Chicago comedy improv scene, and director Heather Ross created this multi-layered doc of his comic force.

CHICAGO – The lyric “And now it’s ‘Easy Come/Easy Go/Little High/Little Low” from the song/movie “Bohemian Rhapsody” might just be the best description of this rock band biopic. The high is the celebration of the band Queen and its unforgettable lead singer Freddie Mercury, and it is enough to get through the story “lows.”

CHICAGO – Verne Troyer will always be one of the more intriguing breakout celebrities of the last 20 years. Always and forever known as “Mini Me” in the Austin Powers series of films, he also endured stereotyping and the health difficulties associated with his diminutive size. Troyer died on April 21st, 2018, at the age of 49. The cause of his death remains unknown.

CHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.

CHICAGO – The small but mighty Verne Troyer is a lucky and humble star. He grew in Michigan, and maintains his Midwestern roots in his approach to show business. Troyer makes an appearance at the Hollywood Palms (Naperville, Ill.) and the Hollywood Blvd. Cinema (Woodridge) to introduce “Austin Powers: The Spy Who Shagged Me” and “Goldmember.”

CHICAGO – Blu-ray allows for an interesting reassessment of perceived failures as titles that haven’t been available on the next-gen format hit HD for the first time and one can see if perhaps history has been kinder to a near-miss than critics were upon its release. When I heard that “54” and the director’s cut of “Reindeer Games” were hitting Blu-ray (one can only assume the latter is tied to the collector’s edition of Ben Affleck’s “The Town” that hit last week), I wondered if their reputations as disasters were unearned and looked forward to reappreciations. They’re both still a mess.

CHICAGO – With “Shrek Forever After” also being billed as “Shrek: The Final Chapter” and being pitched as the final film in the “Shrek” franchise, it only makes sense that DreamWorks has put together a lavish box set of this billion-dollar franchise that captures the entire saga of Shrek, Donkey, Fiona, and the rest of the lovable creatures of arguably the most influential series of films of the last decade.

CHICAGO – “Fairytales should really be updated,” muses the puckish Shrek during a final plea for the affections of a reluctant princess. It is one of those startlingly honest and quietly irreverent insights that “Shrek the Musical” is all too wary to boast, but is a welcome dagger into the cavalcade of childhood morality tales that, year after year, infiltrate the bulk of shooting star wishes and Barbie dream-houses.

CHICAGO – The laziest big budget film of the year, “Shrek Forever After” is the worst kind of family entertainment in that it relies solely on the goodwill engendered by the hit movies that came before to not only get audience members in seats this weekend but to sell them toys, video games, and tickets to amusement parks.

Previous | Image 1 of 31 | Next

Shrek (Mike Myers) and His New Nemesis, Rumpelstiltskin (Walt Dohrn)

CHICAGO – On Friday May 21st, the big green machine know as the Shrek franchise releases its latest animated epic, “Shrek Forever After,” in 3-D. All the old favorites are back, including the voices of Mike Myers as Shrek, Cameron Diaz as Fiona, Eddie Murphy as Donkey and Antonio Banderas as Puss in Boots.