Bill Murray

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the new comedy “St. Vincent” starring Bill Murray and Melissa McCarthy!

CHICAGO – The 50th Chicago International Film Festival of 2014 gets into gear this week, with a line-up of films from all over the world. The festival breaks down these films in several categories, including the Main Competition, New Directors, Docufest, Out-Look (LGBT), World Cinema, After Dark and Spotlight Scandinavia.

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

CHICAGO – He was a Ghostbuster, and Bill Murray’s sidekick in “Stripes.” He co-wrote classic modern comedies like “Animal House” and “Caddyshack.” He directed the legendary absurdist comedy, “Groundhog Day.” He is Harold Ramis, and he died on February 24th, according to his wife Erica Mann Ramis.

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

CHICAGO – I’m always astonished when a filmmaker takes a fascinating figure immortalized in history and decides to explore one of the least interesting aspects of their life. “The Iron Lady” was so fixated on celebrating Margaret Thatcher’s gender that it ignored both her achievements and her controversies. “My Week with Marilyn” made the maddening decision to view its titular Hollywood icon through the perspective of a starry-eyed bore.

Rating: 2.5/5.0

CHICAGO – Roman Coppola, Oscar-nominated as you read this for his great work co-writing “Moonrise Kingdom” (he also co-wrote “The Darjeeling Limited” with Wes Anderson) brings us the truly odd “A Glimpse Inside the Mind of Charles Swan III,” now available On Demand and opening this Friday in Chicago. The film proves two things – that Charlie Sheen is a better actor than his public persona and stint on “Two and a Half Men” may have led you to believe and that he needs to find a character to prove that instead of this riff on his real-life drama.

CHICAGO – If one actress can represent an era of classic and cult movies, P.J. Soles is a pretty good candidate. Her string of roles in high profile and familiar films from the mid 1970s to early ‘80s including “Carrie,” “Halloween,” “Breaking Away.” “Rock ‘n’ Roll High School” “Private Benjamin” and “Stripes.”