Universal Studios Home Entertainment

CHICAGO – In the latest HollywoodChicago.com Hookup: Combo Pack with our unique social giveaway technology, we have 5 free Blu-ray and DVD combo packs up for grabs for the home entertainment release of the new visually stunning 3D film “47 Ronin” starring Keanu Reeves!

CHICAGO – In the latest HollywoodChicago.com Hookup: Combo Pack with our unique social giveaway technology, we have 10 free Blu-ray and DVD combo packs up for grabs for the highly anticipated home release of “Machete Kills” starring Danny Trejo from Robert Rodriguez!

CHICAGO – In the latest HollywoodChicago.com Hookup: Blu-ray with our unique social giveaway technology, we have 5 free TV series Blu-rays up for grabs for the home release of the Emmy-nominated “Defiance: Season 1” on Syfy from the “Battlestar Galactica“ producers!

CHICAGO – In the latest HollywoodChicago.com Hookup: Combo Pack with our unique social giveaway technology, we have 10 free Blu-ray and DVD combo packs up for grabs for the unrated home entertainment release of “Curse of Chucky” starring Fiona Dourif!

CHICAGO – So you’re a young woman who decides to fall asleep in your car parked just off the highway. You’re awoken by the rapping fist of a chiseled cop who leers at you with the sexual appetite of a drooling wolf. Sounds like a meet cute straight out of Alfred Hitchcock’s “Psycho.” But in Marcio Garcia’s head-slapping dud, “Open Road,” it’s supposed to be heartwarming.

CHICAGO – “Frankie Go Boom” is a comedy about deplorable people who commit heartless acts and expect us to laugh at them. It casts the hugely lovable Chris O’Dowd as the most loathsome schlub ever to materialize on the big screen since Josh Gad’s wretched comic relief in “Love and Other Drugs.” And it puts Ron Perlman in drag but fails to give him a single laugh-worthy line. What a misfire.

CHICAGO – When a film promises to tackle a timely topic like fracking, it has raised the bar of expectations considerably. Sure, the filmmakers don’t need to take a stand on the issues they raise, but they have an obligation to explore them with some level of depth or insight. Otherwise, they risk getting charged with committing a “bait and switch,” and that’s precisely what Gus Van Sant’s “Promised Land” does.

CHICAGO – A routinely diverting extra on Apatow home video releases is the “Line O’Rama” montage supplying alternate riffs for scenes included in the final cut. They’re entertaining because they display the various wild directions the scenes could’ve taken courtesy of inspired improvisation. Judd Apatow clearly understands comedy, and Marlon Wayans clearly does not.

CHICAGO – I’m always astonished when a filmmaker takes a fascinating figure immortalized in history and decides to explore one of the least interesting aspects of their life. “The Iron Lady” was so fixated on celebrating Margaret Thatcher’s gender that it ignored both her achievements and her controversies. “My Week with Marilyn” made the maddening decision to view its titular Hollywood icon through the perspective of a starry-eyed bore.

CHICAGO – Why should Judd Apatow and Lena Dunham have to apologize for making films about white upper-class people, considering they are indeed members of the white upper-class? Does their whiteness make their voices any less worthy of being heard? Is it the painstakingly intimate nature of their comedy that rubs some viewers the wrong way? Would these viewers prefer impersonal formulaic retreads populated by token representatives of every race on earth? I can’t imagine anything more dull.