Gregg Araki

Film Review: Gregg Araki’s ‘Kaboom’ Merrily Enters the Ontological Void

Kaboom Film Review

CHICAGO – Rarely has the apocalypse appeared as trivial as it does in “Kaboom,” a disarmingly lovable mess of a picture that manages to work in spite of itself. It’s the tenth feature film directed by Queer New Wave icon Gregg Araki, who seems to be in an infinitely better mood than he was fifteen years ago, back when the Reagan era’s ignorance of the AIDS crisis was still festering like an open wound.

Interview: Gregg Araki Brings About Optimistic Apocalypse in ‘Kaboom’

CHICAGO – Perhaps no one but Gregg Araki could make a hallucinogenic, doom-laden mystery as playful and curiously optimistic as “Kaboom”.

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