CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
John Goodman
Interview: Director Robert Lorenz Pitches ‘Trouble with the Curve’
Submitted by PatrickMcD on September 19, 2012 - 8:21amCHICAGO – Baseball gets the metaphor-for-life treatment once again in “Trouble with the Curve,’ starring Clint Eastwood and Amy Adams. Eastwood plays an aging baseball scout estranged from his daughter (Adams) and seeks redemption in both arenas of his life. Making his directorial debut is Robert Lorenz, who has worked with Eastwood since “Bridges of Madison County.’
HollywoodChicago.com Hookup: 12 Admit-Four Family Packs to ‘ParaNorman’ From ‘Coraline’ Makers
Submitted by HollywoodChicago.com on August 8, 2012 - 5:38pmCHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 12 admit-four family packs up for grabs for the advance movie screening of “ParaNorman” from the “Coraline” makers!
Blu-ray Review: Mediocre Release for Academy Award-Winning ‘The Artist’
Submitted by BrianTT on July 2, 2012 - 3:37pmCHICAGO – Wouldn’t you think that the release of the last Best Picture winner from the Academy of Motion Picture Arts and Sciences would be an event? I know we’ve reached a point where public opinion and the Oscars are arguably further apart than ever before but wouldn’t think that Sony would treat their most-respected film critically with “Special Edition” degrees of Blu-ray features. The release of “The Artist” last week is a decent one but not what one would expect given the pedigree of the film.
Film Review: All Intention, No Delivery in Stephen Daldry‘s ‘Extremely Loud and Incredibly Close’
Submitted by PatrickMcD on January 20, 2012 - 8:20amCHICAGO – The September 11th tragedy is still percolating through the cinematic filter, and there is a well intentioned thread throughout the various interpretations.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Extremely Loud & Incredibly Close’ With Tom Hanks
Submitted by HollywoodChicago.com on January 13, 2012 - 1:31amCHICAGO – In our latest drama edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two movie passes up for grabs to the highly anticipated new film “Extremely Loud & Incredibly Close” starring Tom Hanks!
Film Review: ‘The Artist’ is Magical Ode to Old Hollywood
Submitted by BrianTT on December 19, 2011 - 4:17pmCHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture.
Interview: Director Michel Hazanavicius Becomes ‘The Artist’
Submitted by PatrickMcD on November 21, 2011 - 11:50amCHICAGO – The sheer craft of the actor’s expression is what drove the early “silent” film industry, before syncing up the “talking.” Director Michel Hazanavicius has a new film opening called “The Artist,” in which he explores the expression of early moviemaking, during the era of its transition to talking, and it is rendered as a silent film.
Film News: ‘The Artist’ Tops 2011 Chicago International Film Festival Audience Awards
Submitted by mattmovieman on October 24, 2011 - 8:08pmCHICAGO – Three crowd-pleasing films were selected by audiences at the 47th Chicago International Film Festival as their favorites of the year. A record 50 percent of festivalgoers participated in the selection of this year’s winners of the American Airlines Audience Choice Award.
DVD Review: Kevin Smith Tries Something New With ‘Red State’
Submitted by BrianTT on October 19, 2011 - 1:31pmCHICAGO – Everyone who told me about “Red State” prefaced it with the disclaimer that I would be stunned that it was directed by Kevin Smith. Sure, it’s a departure from his indie comedies like “Clerks” and “Mallrats” but I feel like people who are amazed he made a dark thriller like “Red State” must have never really given the writer/director enough credit. I have some serious issues with how Smith behaved regarding critics after “Cop Out” but I was a fan of every single one of his works before then and I’m happy that he chose to do something different with his talent. I think the result is a bit more sloppy than it needs to be but there’s a lot to like here, including a stellar performance from Michael Parks.
TV Review: ‘Community’ Opens Third Season on Confident Note
Submitted by BrianTT on September 22, 2011 - 12:36pmCHICAGO – The second season of “Community” was a daring display of creativity without concern. It really felt like the producers of the show had been so freed by the fact that the nearly-canceled comedy was still on the air that they completely gave up on trying to please anyone but the program’s loyal fans. It was a show that didn’t “play” to anyone, never going for the easy, predictable joke as is common in the world of the sitcom. It was dark, clever, edgy, and unpredictable. And it was one of the best sitcoms of 2010-2011. Where does it go now? What will the third season of “Community” be like? Will it slide in quality? Maintain? Could it possibly get better?